Paperback 966: I.O.U. Murder / William Francis (Signet 865)

Paperback 966: Signet 865 (1st ptg, 1951)

Title: I.O.U. Murder
Author: William Francis
Cover artist: uncredited

Estimated value: $6-10
Condition: 3/10

Best things about this cover:

• This is pretty brutal. Normally, these dead-ladies-reclining-over-beds-or-couches covers are pretty sexed-up affairs, and there's definitely a sexual element here, but the violence of the scene, particularly her chillingly open eyes, really undercuts the eroticism. Which is probably as it should be.
• That window is oddly free of ... well, everything.
• That circle in the middle—the one that makes her look like she died doing some kind of odd trick with a hula hoop—is not original to the cover. Someone set something circular and tacky on the book, and then yoink: circle. Puts me in mind of a peeping tom's telescope lens. A happy accident.
• I'd've fought hard for keeping "Rough on Rats"

Best things about this back cover:

• A hard-boiled tagline if I've ever seen one.
• Also, nothing says "hard-boiled" like "third-rate Los Angeles bar."
• That last line spirals off into incoherent purple territory. Otherwise, fine, standard-issue crime fiction cover copy.

Page 123~

I waited in the car for Barney. He joined me in a few minutes and we drove back to the office and hauled the case up to my rooms. I paid Barney, and watched the elevator drop out of sight before I went in and locked the doors and opened the suitcase. It was full of round, flat cans, each of which held a spool of film.

The best part of this is that after the first sentence, my mind imagined the entire scene as part of an episode of "The Flintstones."

~RP

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Paperback 965: Ruby MacLaine / John Roeburt (Hillman 151)

Paperback 965: Hillman Books 151 (PBO, 1960)

Title: Ruby MacLaine
Author: John Roeburt
Cover artist: Uncredited

Estimated value: $6-9
Condition: 3/10

Best things about this cover:

• So ... that is a plausibly human head, torso, and backside. After that, the wheels come off. She would have to have 10-ft-long legs for that foot size to be right. Also, no one can stand like that and not put at least *some* pressure on the bedclothes. But mostly, the problem is perspective. The bed looks like it's for a child, and the lamp and bedstand are comically small. Trump-hand tiny. Dollhouse tiny.
• Still, credit where credit is due: the backside makes it highly unlikely anyone's fretting too much about the mini-furniture.
• "FEEL MY MORBID POWER!" exclaimed a drunk and exultant John Roeburt as he stumbled along Broadway, a rumpled New York Times in his hand.

Best things about this back cover:

• See. Back cover designer knew what to do with that front cover: CROP.
• "Backstreet"? Take that, N*SYNC!
• "There'll be compensations" is an utterly implausible bit of dialogue. Also, I was proposing ... asking ..." makes no sense. You were proposing or you were asking, but you were not proposing asking. Although maybe a guy who ruffles a girl's hair as a come-on has bigger problems than grammar.

Page 123~

"I want to be admired for my mind," Ruby said winkingly.
Coulter looked critically at her. "That was on the square," he said slowly.
She looked levelly at him. "I want resources other than just my sex."

Later, Coulter says, "I get the dig." That makes one of us, Coulter.

~RP

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P.S. the first line on the first (teaser) page of this novel is: "They made their agreement in a motel." I probably would've bought this book on the strength of that premise alone.

Paperback 964: This Kill Is Mine / Dean Evans (Graphic 131)

Paperback 964: Graphic 131 (1st ptg, 1956)

Title: This Kill Is Mine
Author: Dean Evans
Cover artist: Oliver Brabbins

Estimated value: $12-15
Condition: 7/10

Best things about this cover:

• She knows we know she's justified. If anyone's begging to be shot, it's that guy. I can almost hear him saying "Cheers, m'lady [hic!]"
• I'm oddly mesmerized by the lamp, which appears to be apparating.
• I believe those are what Christa Faust would call "bitch eyebrows."
• Liquor gone. Glasses empty. Nothin' left to do but shoot this bozo and burn the place down. (At least I assume what that matchbook in the foreground is for)

Best things about this back cover:

• When Musical Chairs Gets Out of Hand.
• She Taunted the Loser ... with Dance!
• Awesome double fear-hand on our anonymous victim here.
• I literally don't understand that first sentence.
• "Arnold Weir figured" is an awkward way to intro your protagonist's name.
• The more I read, the stranger—and less grammatical—this story gets.

Page 123~

Little burrs and clicks floated across space between us while I thought about it.
"Well?"
"All right," I said finally. "Your place."

~RP

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Paperback 963: An Air That Kills / Margaret Mllar (Bantam A1979)

Paperback 963: Bantam A1979 (1st ptg, 1960)

Title: An Air That Kills
Author: Margaret Millar
Cover artist: Uncredited

Estimated value: $10-12
Condition: 6/10 (upper cover smashing—rest tight/square)

Best things about this cover:

• An Air That Kills, eh? Well, I will say that a car plummeting off a cliff is an interesting way to represent a fart. Bold. I like it.
• That embrace is impressive in its awkward realism and urgency.
• Margaret Millar was a successful mid-century crime writer, married to Kenneth Millar (aka Ross Macdonald)

Best things about this back cover:

• That's a glamorous ampersand.
• Never did like giving over a third of the back cover to ads for other books. All space for art!
• I'm not sure what's going on with these vaguely rectangular shapes that look like imaginary U.S. states (see white block here, red block on front cover). Odd aesthetic choices.

Page 123~

Harry wiped his face on a corner of the bed sheet, then held it against his mouth to stem the flow of hiccoughs. "My head hurts. I broke something. Did I—broke something?"

I like Harry. Harry seems nice.

~RP

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Paperback 962: The Case of the Smoking Chimney / Erle Stanley Gardner (Pocket Books 6014)

Paperback 962: Pocket Books 6014 (3rd ptg, 1960)

Title: The Case of the Smoking Chimney
Author: Erle Stanley Gardner
Cover artist: [Charles Binger]

Estimated value: $8-10
Condition: 9/10

Best things about this cover:

• She's got something of the saloon about her.
• Those gloves are off-the-chart hot.
• So weird how they've given the curtains that hourglass shape. Actually, the longer I stare at the whole curtain scenario, the more it starts looking like ... something else entirely.
• Text is as if written on surface of invisible floating sphere. Strange.
• Most gigantic artist signature in cover art history and Of Course it gets cut off.

Best things about this back cover:

• Ooh, I like this. It's a great, simple, quick way of visually representing the Big Red Text.
• Sideeye!
• "The story they told was clear and obvious." No need to give you details. Your brain is doing fine providing those on its own.

Page 123~

"Well, you see it's this way," Gramps explained. "I've always been interested in crime stuff."

I feel you, Gramps.

~RP

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Paperback 961: The Chocolate Cobweb + Who's Been Sitting in My Chair? / Charlotte Armstrong (Ace Double G-511)

Paperback 961: Ace Double G-511 (1st / 1st, 1962)

Title: The Chocolate Cobweb / Who's Been Sitting in My Chair?
Author: Charlotte Armstrong / Charlotte Armstrong
Cover artist: Uncredited / Uncredited

Estimated value: $15
Condition: 7/10 (because of warp—else 9/10; square, shiny, unread)

Best things about this cover:

• "Come away from the cobweb, dearie. I'm saving that one for company."
• "It's chocolate!" "It's pica, dearie."
• This isn't the first time Charlotte (Armstrong) has been associated with Webs...
• Mystery writers are frequently praised for their "skill" (here, twice) as if they were performing a parlor trick as opposed to, you know, writing well. I just read a conventional mystery (by Helen Nielsen—Sing Me a Murder) and it was painfully contrived, as most puzzle-mysteries are (though Nielsen is a fine writer, in general). Chandler's "Simple Art of Murder" has made it virtually impossible for me to take the whodunnit seriously, or even enjoy it. Too much improbable nonsense and implausible, unprofessional, downright stupid gimmickry, all to make a complicated plot work out just so. Pass.

Best things about this other cover:

• I love her so much.
• She knows how to get comfortable. Kicked off the heels and curled up on the chair, just relaxing. Arm across the body says "Please &*%# off, I'm trying to enjoy my cigarette in peace, thanks."
• The Girl Who Dreamed of Some Square Guy Holding What is Clearly a Desk Mic
• "Authentic witches"?!—I don't know what you're on about, Anthony Boucher, but I'm intrigued.

Page 123~ (from The Chocolate Cobweb)

The little paw touched his tired head in a brief caress.

In a not-too-distant future, when dogs and humans have switched positions ... The Chocolate Cobweb!

~RP

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Paperback 960: Bedrooms Have Windows / A. A. Fair (Erle Stanley Gardner) (Dell 0511)

Paperback 960: Dell 0511 (1st New Dell ed., 1963)

Title: Bedrooms Have Windows
Author: A. A. Fair (Erle Stanley Gardner)
Cover artist: Darryl Greene

Estimated value: $15-20
Condition: 10/10 (a time-travel kind of copy, like it's 1963 again; unread, square, shiny, bright blue page edges, ridiculous)

Best things about this cover:

• She looks worried. Maybe she needs Yet Another Cigarette.
• How big is her bed? The headboard appears to start in the far corner of the room. Is her room just one big bed? That's pretty cool.
• This cover is exquisitely balanced and demonstrates a nice attention to detail. I'm somehow transfixed by the latches, like miniature sentries at the bottom of the sill.
• Gauzy curtain, also lovely. And that tension between the tightly enclosed, highly segmented left half of the window and the dramatic, animated, border-bursting right half—love it.

Best things about this back cover:

• Ooh, close-up. Normally I don't like recycled back covers, but this one makes nice use of that window gridding, covering the horizontally-lined left pane with horizontal lines of text, while leaving the right half airy and open.
• God bless Dell for *clearly crediting* cover artists more than most other publishers.
• I've written about this book before, in an earlier (1952) edition. Here's the cover:

And the write-up (Paperback 211!)

Page 123~

The taffy-haired blonde who was standing in front of the mirror, surveying her partially clothed figure with quite evident approval, was the girl who had picked me up the night before as her escort, and had taken me to the motor court. 

Aw, how quaint. "Motor court." You can do all kinds of illicit things in a "motor court" and still feel pretty good about yourself. It's positively Arthurian. "Casual sex, m'lady?"

~RP

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