Paperback 1073: Girl Out Back / Charles Williams (Dell First Edition B114)

Paperback 1073: Dell First Edition B114 (PBO, 1958)

Title: Girl Out Back

Author: Charles Williams

Cover artist: Darcy

Condition: 7/10

Value: $40-50

Best things about this cover:

• Saw this yesterday under glass at the cash register at a used bookstore in Saratoga Springs and impulse-bought it so fast I almost felt guilty. Paid more than I've paid for a vintage paperback in a while and still paid less than what it's worth. It's Charles Williams, after all, and a first edition, and a Beaut!
• What makes a book desirable may be many things, and this book has a bunch of them. Name author. Paperback original. Great Girl Art. Legible artist signature and/or artist credit (this may not be important to everyone, but it is to me!). Only the tiniest of spine leans. A square, tight copy. I could do without the sticker pull on the price (grrr) and the back (as you'll see) has a top-to-bottom crease, but ... I mean, it's pulp fiction, a little wear/tear gives it some character, imo.
• The print and drape of the dress is fantastic. The cover is not as lurid as the ones I tend to gravitate toward, but it's unusual in appealing ways—a Coke bottle instead of a martini glass, a dock instead of a bar, rural instead of urban, day instead of night. The text prods me to lurid imagination, but that's just it—the painting leaves a Lot of room for imagination. Will she brain that guy with her soda bottle and steal his boat? Will she join him on a fishing expedition? Is he actually three inches tall? Is she 100 feet tall? So many possibilities...
• I love the exposed knee, as well as the hint of cleavage. There is something odd about the left hand. Looks boneless. But otherwise, she's very well put together.

Best things about this back cover:

• He looks like an eighth-grade science teacher
• If the husband makes it through the novel, I'll be stunned
• OK, the weirdo in me is actually most intrigued by "... and an old hermit for a friend." There's a relationship you don't see every day.
• "How You Gonna Keep 'Em Down on the Swamp (After They've Seen Barney Godwin)?"

Page 123~

"No," he said. I noticed there was no "sir" now. "I reckon you wouldn't take no chances with me. Goin' to be quite a feather in your cap when you bring me in, ain't it?"

"I'll probably be promoted," I said. "So you just behave yourself, and none of your slippery tricks."

But it was too late. With a snap of his fingers, Cliffords turned himself into an eel and swam away. I shook my fist in impotent fury. "Damn you, Cliffords! First the banana peel on the prison steps, now this!? When will it end!?"

~RP

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Paperback 954: A Shilling For Candles / Josephine Tey (Great Pan G170)

Paperback 954: Great Pan G170 (1st ptg, 1958)

Title: A Shilling for Candles
Author: Josephine Tey
Cover artist: Peff

Estimated value: $15-20
Condition: 9/10

Best things about this cover:

• OK, Britain, you wanted to go back in time, you love your precious currency ... here you go.
• This cover is both very creative and very boring. Hard to get "dymanic" from three candle-heads.
• Peff! 4 of 5 dentist recommend Peff for their patients who chew Peff. Peff!

Best things about this back cover:

• Formatting. Come on, Britain. You guys have formattting, right? Spaces? Indentations? That stuff?
• As if "by Horoscope" wasn't unscary enough—you put in inside marquee stars? Now DEATH just looks silly.
• I'm sorry, "at the séance"? I feel like we missed a plot detail.

Page 123~

Sanger had made further enquiries from many people about that unsympathetic character, Herbert Gotobed.

I assume this is some kind of dream sequence.

~RP

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Paperback 915: Murder in Room 13 / Albert Conroy (Gold Medal 806)

Paperback 915: Gold Medal 806 (PBO, 1958)

Title: Murder in Room 13
Author: Albert Conroy
Cover artist: Uncredited

Estimated value: $6-8

Best things about this cover:

• Women Falling Backwards Over Beds Or Couches should really be a "Tag" on this blog. Happens all the time, or at least, let's say, six times.
• This looks like Barye Phillips, but there's no art credit, so ... Uncredited.
• I think the figure departing via the door is supposed to look sinister, but instead he looks cartoonishly cornball. Like some combination of Peter Lorre and Boris Badinov and a badger.
• I think the giant "13" is where it is because the artist kind of screwed up her middle section. Foreshortening of the body is all wrong and her boobs are just ... odd ... somehow.

Best things about this back cover:

• The evidence! Now in dramatic yellow!
• This reads like the most generic crime story pitch of all time. It's got all the elements. Ex-pug. Alcoholic haze. Motel. Raincoat. I mean, I'd be *in* if you gave me even the *slightest* reason to care.
• Murderer! Now in dramatic italics!

Page 123~

"What the hell do you want?" She sounded surly-drunk.

This novel probably sucks, but I'd say this guy's compound adjective skills are at least promising.

~RP

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Paperback 867: The Dutch Shoe Mystery / Ellery Queen (Pocket Books 2202)

Paperback 867: Pocket Books 2202 (11th ptg, 1958)

Title: The Dutch Shoe Mystery
Author: Ellery Queen
Cover artist: Jerry Allison

Estimated value: $10-15

Best things about this cover:

• This cover says a lot of things, but one of the things it does *not* say is "Dutch Shoe."
• "But she could be number! NUMBER!"
• Pretty sure that's not a regulation police hold—at least not with gun drawn. Does look cool, though.

Best things about this back cover:

• Ooh, signed by quote-unquote Ellery Queen. How elegant.
• "The patient was rich Abigail Doorn, whose money ran the hospital." Yeah, see, you would never introduce anyone "rich so-and-so," and also "whose money ran the hospital" kind of covers that.
• Also maybe don't put "more than life-size portrait of a heroic doctor" next to a super-tiny portrait of a doctor.

Page 123~

Djuna leaped out of his kitchen at the shrill br-r-ring of the telephone bell. "For you, Dad Queen."

I really, really want to believe that a Dad Queen is some kind of sex thing. Something men named "Djuna" would be in to. Please don't shatter my illusions, thanks.

~RP

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Paperback 860: Case of the Petticoat Murder / Jonathan Craig (Gold Medal 784)

Paperback 860: Gold Medal 784 (PBO, 1958)

Title: Case of the Petticoat Murder
Author: Jonathan Craig
Cover artist: Uncredited

Estimated value: $20


Best things about this cover:

• The second movement of "Eroica" *is* pretty groovy…
• That hand is halfway between Fear Hand and "You Want Some of This?" Hand.
• I really, really like that bare suggestion of a bed frame. It's a pair of lips! It's a gun sight! The whole spirit of Sexy/Danger conveyed in a few graceful black arcs.

Best things about this back cover:

• Mustard. I think that's what I'm looking at.
• I wish all the non-green words would just drop away. Now that's what I call "poetry."
• You rarely see detectives so proud of their necrophilic tendencies.

Page 123~

"Because, for one thing, I don't care for alligator."

~RP

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Paperback 727: Lie Down, Killer / Richard S. Prather (Crest 255)

Paperback 727: Crest Books 255 (3rd ptg, 1958)

Title: Lie Down, Killer
Author: Richard S. Prather
Cover artist: Darcy

Yours for: Not for sale (donation to the collection from S. Jacob)


Best things about this cover:

• "I said 'Lie *Down*'!"
• Despite the deplorable violence, like this cover. There's an interesting dynamic quality. I like motion. This is why James Avati leaves me Cold.
• I thought he was beating a woman, but then I looked at the neck region and realized he's merely defending the world against some horrible alien with pincer-claw-face. Seriously, no way those are earrings. They're claws. It's like a skeleton baby is trying to escape from her neck.

Best things about this back cover:

• I assume that last line of dialogue is supposed to be accompanied by ominous music, 'cause on its own it's pretty anti-climactic.
• "That woman gag," also the name of the BDSM supply store down the street.
• Love hate and murder—Prather's got you covered.

Page 123~

Steve straightened and looked around at them. Margo was looking at Gross, but Gross kept his eyes—and the .45—steadily on Steve. Steve pulled himself to the divan and sat on it ,his mind beginning to function.

Steve was always happiest when his mind began to function. A rare, fleeting pleasure for Steve.

~RP

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Paperback 718: The Assistant / Bernard Malamud (Signet 1514)

Paperback 718: Signet S1514 (1st, 1958)

Title: The Assistant
Author: Bernard Malamud
Cover artist: "Hofmann"

Yours for: $14


Best things about this cover:

• "Baby, you put the 'ass' is 'assistant.'"
• Are they giants? If that is a street sign he's gripping/pulling out of the ground, the answer must be 'yes.'
• I love her outfit, particularly her shoes, though they seem to have been painted in as an afterthought.
• Art here is really unusual—far more impressionistic/smeary than you usually see on '50s covers. Another thing you rarely see—that color of sky. Inland Empire Brown.

Best things about this back cover:

• Gah! Buncha text. Don't care.

Page 123~

Morris, with clouded eyes, died slowly.

~RP

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Paperback 695: Passage to Samoa / Day Keene (Gold Medal 823)

Paperback 695: Gold Medal 823 (PBO, 1958)

Title: Passage to Samoa
Author: Day Keene
Cover artist: Uncredited

Yours for: $14


Best things about this cover:

• Roger was inconsolable when he found out they weren't going to Disney World
• Roger was fastidious about thread-count.
• Jerry Orbach IS ... Roger IN ... "Passage To Samoa"!
• "They followed the random pink arrows ... to Death (or Murder or Love ... one of those)!"

Best things about this back cover:

• An inside look at Roger's circulatory system reveals that he is all fucked up.
• If that phony count doesn't have a sweet pencil mustache, I will be gravely disappointed.
• Roger liked his sex the old-fashioned way: bundled.

Page 123~

Janice protested. "But you can't kill us for nothing. What on earth is back of this, anyway?"

"Well, I'll tell you now, Miss Hart," Hines grinned. "It's this way. Me and Sven and a certain other gent got tired of being poor. So—"

Hanson bellowed, "Shut up, you fool. It's none of their business."

I like how honest and ingenuous Hines is. "Uh, we wanted money, 'cause we didn't have none, so ..."

~RP

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Paperback 694: Stop This Man! / Peter Rabe (Gold Medal 763)

Paperback 694: Gold Medal 763 (2nd ptg, 1958)

Title: Stop This Man!
Author: Peter Rabe
Cover artist: Darcy

Yours for: $14


Best things about this cover:

• A great, brutal cover marred only by the stupid slab of yellow Erskine at the top.
• Love the unfinished quality of painting toward the bottom, the obvious dilapidation on the ceiling, the dynamic use of perspective, the framing of his left hand in the dead middle of the page, the believable fear on her face, the simple, understated, off-center title ... all fantastic.
• Not sure what that shirt's made of though? Taffy?

Best things about this back cover:

• OK, is it "could not put this book down," or, as the cover clearly states, "couldn't put this book down." I call bullshit.
• I love (sarcastically) how this book basically belongs to Erskine Caldwell now. Sorry, Peter Rabe. I know it must be tough to get shown up on your own cover(s) by a 3-to-1 margin, but that's show business. Gotta move product.
• The NYT review clearly has no appreciation for how much I like "the lurid modern crime thriller."

Page 123~

They put handcuffs on the Turtle and put him in a police car. Then they drove him downtown, to the office of the FBI. The Turtle didn't say anything during the long ride. He didn't think that funny talk would make any difference any more.

Aw, c'mon, The Turtle, you're not trying hard enough. Do your Nixon impression!

~RP

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Paperback 651: Mystery Walks the Campus / Annette Turngren (Berkley Books G-158)

Paperback 651: Berkley Books G-158 (1st ptg, 1958)

Title: Mystery Walks the Campus
Author: Annette Turngren
Cover artist: Harry Schaare

Yours for: $6


Best things about this cover:

• "Mystery" would be a pretty cool girl's name, come to think about it.
• This is a great cover painting. No, really. It's clearly geared toward a female audience (i.e. the woman is  in serious student mode and decidedly non-tarted-up), so it doesn't have what we'd normally call "Great Girl Art (GGA)," but she's *really* well rendered. I love art that conveys tension through small movements, especially as those movements are captured in clothing. I'm mesmerized by her right foot, as well as the flow of her jacket and the wrinkles across the front of her skirt. Her environment is pure noir. All rain-slicked pavement and moonlight/streetlight. Good stuff.
• This reminds me of a specific part of the U Michigan campus—specifically, where campus proper meets South U. Ave. But I'm guessing this also looks like about a million campuses.

Best things about this back cover:

• Endicott! I live near there. 
• You gotta love a mystery that turns on "the mutterings of a parakeet." I imagine the parakeet pacing in his cage, smoking and then occasionally saying something about what you can do with your desire to hear him "sing."
• I like how excited the Christian Science Monitor is about addiction and compulsion.

Page 123~

They took a cab home, and Wendy tried hard to be pleasant—and sympathetic about the headache. But she had a feeling it was as non-existent as Sky's hay fever had been the night of the barbecue supper. Sometimes I'd like to shake her, she thought.

As if Sky's name alone isn't reason enough to want to shake her.

~RP

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Paperback 590: Morning, Winter, and Night / John Nairne Michaelson (Berkley Books G-166)

Paperback 590: Berkley Books G-166 (1st ptg, 1958)

Title: Morning, Winter, and Night
Author: John Nairne Michaelson
Cover artist: Uncredited

Yours for: $15


Best things about this cover:

• Peter was never that good at vampiring. "Less sniffing, more biting," his mother always said. But Peter was different.
• It's the story of two young lovers, trapped in a magical aging rain that grays your hair but good.
• It's not just frank. It's absolutely frank. 24-karat frank. 99 44/00% pure frank. The frank standard.

Best things about this back cover:

• Correction: *utterly* frank. We apologize for any confusion our front cover copy may have caused.
• Just to be clear: great frankness. OK? OK.
• This sounds like one long story of fumbling with straps and premature ejaculation.

Page 123~

"She'll get well now, I think. It's been a near thing."

"I'll get the milk pails."

I'm just gonna leave that there.

~RP

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Paperback 564: Cat Man / Edward Hoagland (Signet S1499)

Paperback 564: Signet S1499 (1st ptg, 1958)

Title: Cat Man
Author: Edward Hoagland
Cover artist: Stanley Zuckerberg

Yours for: $12

Best things about this cover:

• Yes, your ass *is* impressive, ma'am, but Zombie Bowser wants brains.
• If I knew what she was doing, I would tell you.
• What is that magic cloud of pastel soup that Bowser's wallowing around in? I'm torn between 'really shitty futon cover from ca. 1994' and 'Smurf latrine.'
• "He courted danger in a jungle world"—ohhhhh. That's what I'm looking at. Courtship. "Geena, I'm down on all my paws, beggin' you—won't you be my jaguar-bride?"

Best things about this back cover:

• "Random Words" = equally scintillating alternative to "Big Top"; unless there are gay implications I'm missing, which I really hope there are.
• Where have all the cagehands gone?
• I like how "winos" are so-called, while freaks are just fucking freaks—no quotation marks needed. We all know freaks when we see them, amiright? Pfft. Freaks.
• "Rejected by respectable society"!? I've seen the cover. I'm with respectable society here.

Page 123~

Bible licked his mustache and brooded [1]. The man in black smiled, thinking about something [2]. His face was lumpy and gentle [3]. The buttons on his shirt were gray instead of black, and he was playing with them. His belt buckle reflected silver like anybody else's belt buckle [4].

• [1] Some people give their kids names from the Bible. And then some just say 'fuck it, I can't keep them bible names straight. Let's just call him Bible.'
• [2] I like the second half of this sentence for answering the tough questions I had about the first half of this sentence.
• [3] "... like oatmeal, when it's thinking about something"
• [4] Foreshadowing the black-hole belt buckle that kills everyone at the end. (spoiler alert)

~RP

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Paperback 551: God's Little Acre / Erskine Caldwell (Great Pan G148)

Paperback 551: Great Pan G148 (1st thus, 1958)

Title: God's Little Acre
Author: Erskine Caldwell
Cover artist: Uncredited

Yours for: $23
Best things about this cover:

• The Professor and Ginger never did see eye to eye.
• It's like they're having a clenchedmouth-off and she's winning—though it looks like the judge in the background there is about to call "illegal use of boobs." We'll see...
• Zeke likes to watch.
• I think she was overcome by Bon Jovi's "Livin' on a Prayer" and had to be shaken out of her rockin' reverie before she tore up all the hay bales.
• Zeke, on the other hand, is immune to Bon Jovi's charms.
• Movie tie-in! 

Best things about this back cover:

• Wow, they sure picked a dramatic scene for this back cover. And by "dramatic" I mean "one that showcases Tina Louise's tits to the fullest."
• Chivalry isn't dead, it's just horribly, horribly mutated.
• "Gusty vitality"??? Did they mean "gutsy"? Did they conflate "gutsy" and "gusto." "You know, the vitality of his writing ... it's got a ... windlike quality to it ..."

Page 123~

Ty Ty put one foot inside the room and leaned against the door-frame. He watched her roll and unroll her stockings and hang them over the back of the chair. She got up quickly and stood at the foot of the bed.

I *knew* creepy, overt, unwelcome voyeurism was going to figure prominently in this book. The cover artist did his job well.

~RP

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Paperback 547: Tales of Wells Fargo / Frank Gruber (Bantam 1726)

Paperback 547: Bantam 1726 (1st ptg, 1958)

Title: Tales of Wells Fargo
Author: Frank Gruber
Cover artist: Uncredited

Yours for: $7
Best things about this cover:

• It's so generic that the only thing I can get at all excited about is the adjective "bullion-laden."
• I do like the little B&W ticker at the bottom. I just wish it was animated and came w/ olde timey music, like a player piano or something.
• Oooh, Dale Robertson. He's .... who is he?
• "Tales of Wells Fargo" sounds like the testimonials page at their bank website: "The tellers were super-friendly..."

Best things about this back cover:

• Oooh, Dale Robertson. He's ... nope, nothing. Looks like Generic McWhiteGuy.
• "Maybe some sweat in their arm-pits" FTW!!!! Now that's vivid! I can almost smell Dale Robertson.
• Flint-eyed ... rock-jawed ... smashing their eyes and jaws together to start fires. Truly fearsome.

Page 23~

"Item number 3," the auctioneer went on. "This old suitcase. But who can say what treasure might lie inside? I admit it looks ancient and worn, yet this humble and modest exterior could be deceiving. Ladies and gentlemen, I beg you not to disappoint me with paltry bids that insult not only man's intelligence but his imagination. Bid up this time, bid high. Live recklessly." 

Well, someone can say. You could just unzip it and look inside and then ... oh, I'm missing the point? All right then.

~RP

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Paperback 523: Baldy of Nome / Esther Birdsall Darling (TAB T71)

Paperback 523: TAB T71 (ptg unstated, 1958)

Title: Baldy of Nome
Author: Esther Birdsall Darling
Cover artist: A. DiSonetis (sp?) / Illus. by George Meyerreicks

Yours for: $5

Best things about this cover:

• It appears that "Baldy" is one of them there "comical misnomers."
• Looks like a Saint Bernard killed, skinned, devoured, and crawled inside of a wolf. Or like a werewolf eskimo.
• "Weakling puppy" Anthropomorphize much?

Best things about this back cover:

• At first Baldy and Ben merely exchanged meaningful glances, too scared to declare their love openly.
• Spoiler alert! I feel like I just read the whole book, in very primitive comic book form.
• Next in the series: "Baldy of Rome." Wherein our hero becomes a Cardinal.

Page 123~

Time now meant nothing. It was the Land of Day After To-morrow, where the obligation of definite hours for definite duties did not exist.

And so, calmly, Baldy put the rifle in his mouth and ...

~RP

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Paperback 502: Onionhead / Weldon Hill (Popular Library SP13)

Paperback 502: Popular Library SP13 (1st ptg, 1958)

Title: Onionhead
Author: Weldon Hill
Cover artist: Mitchell Hooks

Yours for: $9

Best things about this cover:

• This book is all about this guy's insatiable appetite. He likes to eat. Hence "onion." And "head."
• "Oh, Onionhead, you're so ... ribald."
• When the S.F. paper calls your book about a girl-crazy sailor the "gayest novel in years," you might have a marketing problem on your hands.
• Mitchell Hooks is a highly underrated coverartist. His stuff is generally sketchier and more whimsical than the work of the more famous Great Girl Artists, but I always find it very engaging. Love the rough black line work. Also, LOVE the redhead's outfit.

Best things about this back cover:

• On the cover, the girls thought Onionhead was in the Navy. Here, they learn he was in the Coast Guard.
• FOOD OR SEX? They're really pushing this appetite parallel a lot. Unless this book culminates in Onionhead eating large plates of pasta and various desserts off the naked bodies of gorgeous young ladies, I'm going to be very disappointed.
• Again: Ribald! For her pleasure.

Page 123~

Al began browsing among the supplies, getting oriented. He noticed a recipe for muffins on a bag of cornmeal, and got a brilliant idea. He had to learn how to cook, so he ought to practice, learn by experience, trial and error. He would make some goddam muffins.

I want an apron depicting the front cover art and the caption: "He would make some goddam muffins." I would wear it every day.

~RP

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Paperback 367: High School Confidential / Morton Cooper (Avon T-257)

Paperback 367: Avon T-257 (PBO, 1958)

Title: High School Confidential
Author: Morton Cooper
Cover artist: My hero (Uncredited!!!)

Yours for: $30


Best things about this cover:

• I wish I had this cover image in poster-sized form; I would frame it and hang it next to my movie poster of "The Beat Generation" (1959) or "The Big Operator" (1959) — I went through a Mamie Van Doren phase, what can I say?
• Why aren't books this pretty any more? Beautifully-sketched urban scene, awesomely attitudinal teen-agers, and confident, bold, eye-popping use of color. No idea what's going on with the title font, but I love it.
• Juvenile delinquency = my favorite '50s paranoia.

Best things about this back cover:

• Mamie!
• I can't believe I haven't seen this movie. From the description, I'd say there's nothing not to like about this movie. I mean, "hot-rod hipsters and jive-talking cool cats!?" What more do you want?
• Hmmm. I knew there was a John Barrymore. And I know Drew Barrymore. I did not, however, know there was a John Drew Barrymore. I wonder how the family reacted to the exciting news that John Drew would be getting third billing behind the likes of Russ Tamblyn and Jan Sterling.

Page 123~

She blinked at him. "Yup," she nodded agreeably. "Yup and double yup. Gonna do my duty," she promised, saluting patriotically only a moment before she caved in and fell to the nearest chair, apparently dead to the world.

"Yup and double yup." There's some jive-talking I insist on bringing back.

~RP

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Paperback 346: Death Takes an Option / Neil MacNeil (pseud. of W.T. Ballard) (Gold Medal 807)

Paperback 346: Gold Medal 807 (PBO, 1958)

Title: Death Takes An Option
Author: Neil MacNeil (W.T. Ballard)
Cover artist: Uncredited (can't read that signature) [probably Gerry Powell]

Yours for: $10


Best things about this cover:

• Ugh—somewhere in the 800s, perhaps a bit earlier, GM covers tend to get ugly as hell. There's this aesthetic that is all about sloppy. Everything looks sketched and half-finished and generally terrible. Also, the books seem flimsier overall, but that may be an unfounded impression. All I know is that lady's right thigh is a cartoonish "flesh" tone, esp. compared with the flesh on the rest of her body.
• What the hell is up with that guy? Is he a. rapping b. playing a zombie c. walking on a very narrow beam or d. about to put a quick end to a pig-catching contest?
• Title appears to be an allusion to 1934 Fredric March movie "Death Takes a Holiday."
  

Best things about this back cover:

• Only one thing: "Their descriptions."

Page 123~

She had red hair and good eyes and a beautiful figure. He wondered if the stories were true that some of these girls were dancers who, coming to Vegas with a company, found out that they could make three times as much juggling a tray as they could kicking their legs in one of the floor shows.

"What's your name, honey?"

~RP

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Paperback 331: 5:45 to Suburbia / Vin Packer (Gold Medal s731)

Paperback 331: Gold Medal s731 (PBO, 1958)

Title: 5:45 to Suburbia
Author: Vin Packer (pseud. of Marijane Meaker)
Cover artist: Uncredited

Yours for: $50

This copy is SIGNED


Best things about this cover:

• Douchey salesman by day ... vampire by night.
• That is the color red seen only on 1950s/60s paperbacks. Looks like the work of Barye Phillips, but the book gives no credit.
• Love stories of tawdry goings-on in the suburbs. Post-war pop fiction kind of obsessed with the suburbs, as they were relatively new and probably put on a sanitized, happy air that made writers sick—i.e. easy pickins.

Best things about this back cover:

• One of the few back covers that makes me genuinely want to read the book. The language isn't just descriptive—it bounces: his wife's impeccable tweeds, her wicked martini, their daughter's (!) long legs, the phrase "hatchet man," all great. Even the language of addiction in the second paragraph is compelling, and timely—makes Charlie Gibson sound like a different species of Burroughs' "Junky." Mmm, '50s underbelly. Delicious.
• Despite the obvious opening, I'm finding it hard to make any good jokes about the name "Charlie Gibson" (a onetime prominent morning TV host, in case you didn't know).

Vin Packer is Marijane Meaker (also Ann Aldrich, for her explicitly lesbian writing; M.E. Kerr, for her young adult fiction). She is a really compelling literary figure and a very good writer. I recommend her memoir about her relationship with Patricia Highsmith. In doing some research on the Mattachine Society (for a future writing project on a different pulpy literary figure), I came across a bunch of stuff by and about Meaker—a controversial figure among some gay people. Apparently, not all of Meaker's gay characters (and the lesbians she chronicles in her non-fiction books) were "sympathetic" enough for some. Hurray for someone's caring more about giving a realistic and complex picture of humanity rather than sanitizing and enhaloing her characters in order to push a political agenda. I really want to meet this woman, who (last I checked) is still alive. I own close to a dozen of her books, many of them signed (I can only hope the sigs are authentic, as I didn't get them myself).

Page 123~

"Very simple, boss—the child's in love with you."
"Hogwash!" Bruce Cadence snorted. "I'm old enough to be her father."
"That's the point." Keene laughed.
He waved and went out.

~RP

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Paperback 319: Seven Days Before Dying / Helen Nielsen (Dell 971)

Paperback 319: Dell 971 (1st ptg, 1958)

Title: Seven Days Before Dying
Author: Helen Nielsen
Cover artist: R. Del Rossi

Yours for: $12


Best things about this cover:

• The amazing detail on the shoes and socks. I would have thought this one of the more boring crime fiction covers, but I looked at the shoes and socks for a while and they're lovingly rendered, and kind of mesmerizing.
• That lady is either chasing a very clumsy thief or drunkenly stumbling through a public park, chucking her jewelry at schoolchildren for amusement.

Best things about this back cover:

• There's some blue splatters on it ... for some reason.
• You know a novel means business when it breaks out the Courier font.

Page 123~

Stu leaned forward and extended his right hand in a greeting that was never acknowledged, whereupon the blonde toppled forward into her drink again. By this time, she was beyond caring anyway, so Stu let her stay there.

Did I mention that Helen Nielsen's a pretty good writer. 'Cause she is.

~RP

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