Paperback 1019: The Primitive / Chester Himes (Signet 1264)

Paperback 1019: Signet 1264 (PBO, 1956)

Title: The Primitive
Author: Chester Himes
Cover artist: [Tony Kokinos] (signature top left)

Condition: 6.5/10
Estimated value: $30

Best things about this cover:

• White lady trying hard not to think about centuries of brutal racism and her own complicity therein ... I assume.
• There's drunk, there's very drunk, and then there's "I only made it half way through taking my shoes off" drunk
• The red of the red shoes is very red against the non-color of everything else. Echoes the title font color. I like.
• This novel was heavily cut for the US audience, which, like, couldn't deal, I guess. It was published right before Himes made the turn into hardboiled crime fiction with his Coffin Ed Johnson and Gravedigger Jones series (so great)

Best things about this back cover:

• The End of a Primitive was the original title of the book (the title used when the book was finally published in unexpurgated versions, 40+ years later)
• So the white woman is just white but the "Negro man" is "embittered"? Normally I don't beg for more adjectives, but come on.
• Van Vechten tryna get cute with that "white heat" shit, I bet. He's a white dude who wrote a book called Ni**er Heaven. A key figure in white people's "discovering" Harlem. I highly recommend Mat Johnson's current comic, Incognegro: Renaissance, which is set in Harlem during the Harlem Renaissance and features a Van Vechten-like figure in the first issue. Good stuff.

Page 123~

"Oh, sure," he said, thinking, "I like de big gut, do you like de big gut?"

~RP

[Follow Rex Parker on Twitter and Tumblr]

Paperback 999: All Shot Up / Chester Himes (Ace T-434)

Paperback 999: Avon T-434 (PBO, 1960)

Title: All Shot Up
Author: Chester Himes
Cover artist: Uncredited (!!) (update: appears to be work of George Ziel)

Condition: 7/10
Estimated value: $65-80

Best things about this cover:

• Gah, so great. So so great. Multiple scenes of hot hardboiled greatness. Tough-guy mug, sexy naked lady, trenchcoat gunfight ... bar! All the good things.
• Chester Himes is fantastic. Coffin Ed and Grave Digger are unique and important figures in the history of detective fiction. Badass *and* hilarious. Their dialogue is amazing, as are their razor-sharp observations on race relations in the city. Highly recommended.
• Either that dude is holding the wrong end of the cigarette or he's holding a very tiny test tube.

Best things about this back cover:

• Big on alliteration, this copywriter. First babes bourbon and bullets, now hailing in Harlem...
• "Eight—Count 'em, eight—corpses." Eight, OK, I believe you, eight. Jeez. Don't get so defensive.
• "Skidding on ice and breathing fire"—which Game of Thrones book was that?

Page 123~

"I'd rather be bit in the rear by a boa constrictor than sitting here waiting for something to happen, and I can't even guess what," he complained bitterly.

It's a boa constrictor ... I mean it can bite, sure, but ... it's kind of known for ... the other ... oh nevermind.

~RP

[Follow Rex Parker on Twitter and Tumblr]

Paperback 956: The Big Gold Dream / Chester Himes (Avon T-384)

Paperback 956: Avon T-384 (PBO, 1960)

Title: The Big Gold Dream
Author: Chester Himes
Cover artist: [George Ziel]

Estimated value: $50-60
Condition: (9+/10)

Best things about this cover:

• She has that face I get when I look at the internet for too long. But she has better lips. And better hair. In that she actually has hair.
• Love the Big Gold Font
• I'm not usually a big fan of the multi-scene cover, largely because it makes all the visual elements too small to have the kind of dramatic impact I like, but this particular iteration is nicely handled. Captures the darkness and brightness (and architectural elements) of the city really nicely.
• This book is in indescribably great condition. Shiny. Square. Unfaded. Tiny bit of wear to spine and very faint warp toward the tippy top of the book are the only things keeping this from 10/10 condition rating.
• Chester Himes is a really important writer—possibly the most important black crime fiction writer in US history. The fact that I own a first-edition Himes in *this* condition is one of the crowning glories of my 20-year collecting addiction odyssey.

Best things about this back cover:

• Those numbers slips are Fantastic. The rest, blargh.
• Does have a compelling opening line, though. I want to dream about pies exploding with 100 dollar bills!
• "The smell of fresh violence filled the air" is one of the more haunting lines I've read on a back cover.
• Coffin Ed Johnson and Gravedigger Jones remain the best-named detectives in crime fiction history. Hercule shmercule.

Page 123~

Slick turned his stare back to Susie. "You're not very bright, rockhead," he said. "He wants to cut himself a slice of our pie."
"He's going to get more slices than he's looking for," Susie threatened.

Ooh, double entendre. Good one, Susie.

~RP

[Follow Rex Parker on Twitter and Tumblr]

Paperback 202: Cotton Comes to Harlem / Chester Himes (Dell 1513)

Back from Brooklyn and ready to drop some righteous cover art. Moving right along...

Paperback 202: Dell 1513 (1st ptg, 1966)

Title: Cotton Comes to Harlem
Author: Chester Himes
Cover artist: Harry Bennett

Yours for: $12


Best things about this cover:

• Lovely, delicate, enigmatic. I don't recall anyone having sex in a police station in this book, though police and sex were certainly involved, generally.
• Not a fan of the trend (over the course of the 60s) toward smaller art and bigger words.
• Harry Bennett is a prolific artist whom I most associate with PermaBooks from the late 50s through the mid-60s. His stuff is often more jagged and angular and rougher looking than this little painting would suggest.
• "Pinktoes" is (like a lot of Himes's work, in one way or another) pretty bawdy, and concerned specifically with the intersection of sex and race in American society. My copy of "Pinktoes" is in fact pink. You'll see.
• I just got some promotional postcards for the "Paperback Collectors Show & Sale" (Sunday, Mar. 29, 2009) in the mail last week, and the picture on them has eerie similarities to this Himes cover:
  

And now the back of "Cotton..."


Best things about this back cover:

• Ugh, words
• "The wildest of camps" - "Camps?" Plural? I'm familiar with this definition...

1. An affectation or appreciation of manners and tastes commonly thought to be artificial, vulgar, or banal.
2. Banality, vulgarity, or artificiality when deliberately affected or when appreciated for its humor: “Camp is popularity plus vulgarity plus innocence” (Indra Jahalani).

But I've never seen the word used that way in the plural. Interesting (to me alone, perhaps)

Page 23 (for Page 123, see Paperback 201):

He was a nondescript-looking man with black and white striped suspenders draped over a blue sport shirt and buttoned to old-fashioned, wide-legged dark brown pants. He looked like the born victim of a cheating wife.

~RP

P.S. One of the biggest thrills of the Crossword Puzzle Tournament this past weekend was having multiple people come up to me and tell me how much they loved this website. I get so happy when my poor, neglected baby blog gets some much-deserved attention. Hard for "Pop Sensation" to feel adequate when her big brother gets literally 50x the traffic she does. If this site were anywhere near as popular as my crossword site, I'd pass out from excitement. Crossword constructor Doug Peterson was kind and thoughtful enough to bring a gift for me to the tournament: a lurid paperback with a crosswordy cover. So look for a special write-up of that in the next week or so.

Paperback 201: Cotton Comes to Harlem / Chester Himes (Dell 1513)

Paperback 201: Dell 1513 (1st thus, 1970)

Title: Cotton Comes to Harlem
Author: Chester Himes
Cover artist: Robert McGinnis

Yours for: $30


Best things about this cover:

• This is the kind of cover I want to hang on my wall as a poster - vivid, unusual, stunning
• Love love love the 3D perspective on the preacher's hand, the Rolls grille, and the 45 magnum. Lots of great tiny details too, like the little silhouetted man about to run down the subway stairwell, or the cop caught naked with a paper bag over his head.
• In general, this style of cover art - many images crammed into a kind of composite bloc - is not my favorite. Always looks to me like it needs unpacking. You see the style a lot in late 60s / early 70s books. Here, I find the composition pleasing. Could be a little less busy, but the gun / 'fro / hand / Rolls give the picture distinct focal points and keep it from seeming like a morass of undifferentiated gunk.

Best things about this back cover:

• I really should rent this movie. Redd Foxx!? I did not know that Ossie Davis co-wrote and directed it.
• This movie is from the height of the Blaxploitation era.
• The novel has comical elements, but is also dead serious. Cotton, as in a bale of cotton (not some guy named Cotton) literally comes to Harlem. It's a long story. Needless to say, all kinds of themes of racial difference and oppression get played out in the book. It's really fantastic.

Page 123~

He didn't see anything unusual about the Chevrolet pulling out from the curb near Eighth Avenue; it looked just like any other hundreds of Chevrolets in Harlem - a poor man's Cadillac.

~RP

Paperback 28: Signet Y6638

Paperback 28: Signet Y6638 (1st Signet, 1975)

Title: The Big Gold Dream
Author: Chester Himes
Cover artist: Uncredited

Best things about this cover:

• Orange!
• "Starsky and Hutch"-era font - and fashion!
• Somebody needs to tell the white woman in the bra and panties that a back alley is no place to play leap frog.
  
• Chester Himes rules - despite being a mid-70s reprint, this book is reasonably valuable, both because Chester Himes is the most important black crime fiction writer of the 20th century (sorry, Walter Mosley) and because this particular incarnation of Himes' work is hard to come by.
• This cover is poorly designed - sometime starting in the late-60s, you begin to see these covers where a single realistic scene gives way to a composite montage, where lots of different pictures are crammed together into a kind of blob in the middle of the cover. Somebody's (bad) idea of artistic. Check out how this cover gets all abstract expressionist toward its edges - like it was finished by Rothko or Rauschenberg.
• Yet another floating head - this time, an oddly benevolent-looking, kerchiefed young lady is preparing to devour Harlem.

RP