Paperback 688: Never to Belong / James Williams (Fabian Z-135)

Paperback 688: Fabian Z-135 (PBO, 1960)

Title: Never to Belong
Author: James Williams
Cover artist: Uncredited

Yours for: $50 (actually, Not for Sale — don't think I'm ready to part with this one)


Best things about this cover:

• Pristine book from my favorite sleaze paperback publisher—Sanford Aday (publishing out of Fresno CA before eventually being convicted of trafficking in obscenity) was always trying to be sensational with the sexual themes of his books. He published a lot of stuff dealing with homosexuality, cross-dressing, miscegenation, etc., some it written by women authors, black authors, etc. He Was So Unusual. As I've told you before, he used the pages of his books to wage a battle against censorship—not just in the themes of the novels he published, but in the little essays and clippings he'd include in the backs of his books detailing court victories he or others had won against the government. In this book, he has forgone much of that back matter but still has a little note to his readers asking for feedback and proclaiming, "we are going to keep on giving you what you want to read as long as it is within our power to do so." He probably knew his publishing days were numbered. I just love the idea of waging a one-man battle for sexual openness and tolerance using only the medium of ... the sleaze paperback. He's kind of my hero.
• Not sure I've seen the word "mulatto" on a cover before. Remember when we subcategorized black people based on skin color?! Good times.
• Love the way the woman's skirt flies up. Fabian cover paintings are not generally known for their, uh, quality, but I like the suggestion of motion here. 
• Also, bald dude's face is Priceless.

Best things about this back cover:

• Awkwardest ellipsis ever.
• This is surely the greatest book ever about mule-skinning, whatever that is. Ooh, turns out a mule-skinner is just someone who drives mules, also called a "muleteer" (hmmm, this puts "Mouseketeer" in a whole new light) or "arriero."
• Crossword folks will be excited by this new cluing possibility for MAE.
• "High-towning it" is a great phrase I would like to bring back. I shall use it every time I'm determined to raise me a whole bunch of hell.

Page 123~

Louisiana was a rough place for a colored man to get into trouble with the law.

Hashtag understatement.

~RP

[Follow Rex Parker on Twitter and Tumblr]

Paperback 461: Imposed Rebellion / James Williams (Fabian Z-127)

Paperback 461: Fabian Z-127 (PBO, 1959)

Title: Imposed Rebellion
Author: James Williams
Cover artist: Uncredited

Yours for: $55

Best things about this cover:

• Bill had told Bess that he was far too old to enjoy a game of "got-your-nose!" but Bess would not be denied.
• The right hand says "passions" but the left hand says "stabby."
• I don't mean to be judgmental, but ... those really aren't appropriate swamp-trysting shoes.
• "I said, 'Watch me pull a quarter out of your ear!?' Why won't you hold still and let me play my games, Bill!?"
• Possibly the worst title every conceived by humankind.

Best things about this back cover:

• Wow, they really don't want to tell us about this book.
• "Sergeant ... Sergeant ... the camera's over here, Sergeant."
• As this graphic suggests, Sergeant Williams is from Mirror-Image Nevada, which can be found in the alternate universe that also contains "Okinowa."

Page 123~

The joke was a little over Duce's head, but he laughed loud and long. Leola took a sip of her drink and crossed her legs. She had heard some of the best. She cut Duce off.

Such were the mad antics at the Strange Name Support Group.

~RP

[Follow Rex Parker on Twitter and Tumblr]

Paperback 206: So Low, So Lonely / Curtis Lucas (Lion Books 91)

Paperback 206: Lion Books 91 (PBO, 1952)

Title: So Low, So Lonely
Author: Curtis Lucas
Cover artist: Uncredited

Yours for: $20


Best things about this cover:

• "I'll leave you to your imaginary cup of coffee, then..."
• "A Negro Searches for Love in an Alien World" - "These earth women cannot satisfy me. Damn it [pounds fist on table], I'm going to Mars!"
• That guy is very tan or sooty from working in the mines or relaxing backstage at his one-man minstrel show, maybe, but "Negro?" More like an Italian guy who just finished bobbing for apples in chocolate milk.
• I've apparently hit the part of my collection that's vaguely organized. Two versions of "Cotton Comes to Harlem," two Ace Doubles by Elisabeth Sanxay Holding, and now the second of two early 50s titles by Curtis Lucas.
• This book is beat up and slightly water damaged but completely solid and intact, i.e. beautifully readable. It's got the well-worn, broken-in feel I like. It's also pretty rare - a Lion PBO with miscegenation themes. Hot.

Best things about this back cover:

• This book should be called "Carla's Way"
• Wait, which part was "wrong?" Wanting the white girl or stealing the money? The wording here confuses the issue very, very badly.
• Hey baby, I'm Curtis Lucas, and I will probe your torment with deep and uncompromising sincerity. Aw yeah.

Page 123~

He picked up his glass. She picked up her own glass, looked at it.

"You don't have to do that," he said.

For a moment she held her glass in mid-air, and her hand trembled. Then she smiled at him and they touched glasses. Both tilted their glasses.

If you love glasses, you'll love ... Curtis Lucas!

~RP

Paperback 199: Don't You Weep, Don't You Moan / Richard Coleman (Lion Library LL28)

Paperback 199: Lion Library LL28 (1st ptg, 1955)

Title: Don't You Weep, Don't You Moan
Author: Richard Coleman
Cover artist: Samson Pollen

Yours for: $8


Best things about this cover:

• "We'll make our first incision ... here."
• "I'm just putting the final touches on my remarkably realistic head sculpture. . . there. Done."
• "Do those shoes look shined to you, you incompetent !@#@#!"
• Can you tell I'm just trying to think of captions that don't involve her demanding oral sex.
• This woman could be the slightly classier sister of Tombolo lady. Derisive sneer. Half akimbo stance. Tramptacular outfit. Etc.
• I love the abrasion and fraying on this cover - really drives home the "raw desire"
• The song is "Don't You Weep, Don't You Mourn" - it's a Negro spiritual about delivery from oppression - which makes this title ... man, I don't know. I want to say "sacrilicious."
• Wait, is this lady black? Oh, dear lord, one of the interior blurbs discusses "the power of Negro emotions ... the raw, primitive passions, the splendid crudity ..." So the Charlotte Observer observes. The New York Times approaches the topic in characteristically elliptical and ironic fashion, mentioning the novel's "great color and variety."
• This novel's approach to coding / masking race is freaking me out, frankly. Check out the back cover:

Best things about this back cover:

• "swamp girl!"
• "seething b(l)ack streets!"
• OK, Washington Times, let me get this straight: Barbarity is at the top of the arc and brutality is at the bottom? "Sorry, blacks, you may go only as high as barbarity. At least it's beautiful barbarity. Be grateful."

Page 123~

"Dis sho is good fish," he said

~RP