Paperback 1117: Night and the City / Gerald Kersh (Dell 374)

 Paperback 1117: Dell 374 (1st ptg, 1950)

Title: Night and the City

Author: Gerald Kersh

Cover artist: [movie still: Richard Widmark, Gene Tierney]

Condition: 6/10

Value: $10-15

Best things about this cover: 

• Two of the greatest, smoldering for your attention
• This is one of my favorite movies, and one of the greatest films noirs of all time. It's probably my favorite movie of 1950, which is Saying Something (1950, after all, has All About Eve, Sunset Boulevard, Born Yesterday, etc.)
• Harry Fabian is the quintessential noir hero. Antihero. Loser-hero. Just wants to be somebody. Thinks he can work the system and outsmart the big boys. Finds out ... otherwise. If that's not noir, I don't know what is.

Best things about this back cover: 

• Mapback! All books should be mapbacks. I really don't understand why they're not.
• Frank! Feels like forever since the "Frank!" alarm has gone off. My favorite paperback cover adjective returns (albeit in adverbial form)
• Cabbie, please take me directly to HONKATONK BOTTLE-PARTY. Located at ... [squints at book] ... 5? No, just 5. I don't know. 5! Find it! Use "The Knowledge!"

Page 123~

    He walked slowly back to Rupert Street, entered quietly and undressed in silence. He was relieved to see that Zoë slept soundly.

    He undressed and crept into bed beside her.

    She sighed, and whispered: "Chihuahua—"

   

Look, I'm sure there is explanatory context here, I'm just saying, I don't wanna know it. I'm gonna just assume that "Chihuahua" is a term of endearment for Harry, or else that she is dreaming of tiny dogs ... or that "Chihuahua" was the name of her childhood sled.

~RP

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Paperback 1071: Perilous Passage / Arthur Mayse (Pocket Books 727)

Paperback 1071: Pocket Books 727 (1st ptg, 1950)

Title: Perilous Passage

Author: Arthur Mayse

Cover artist: James Bingham

Condition: 7/10

Value: $8-10

Best things about this cover:

• Reader Larry D. just sent me a whole box of choice paperbacks. Out of the goodness of his heart. In the interest of, let's say, science! I am over the moon. We will all be the beneficiaries of his generosity, as I showcase books from his donation in the coming weeks, starting with today's stunner—a chaotic close-up composition featuring nautical mayhem and what appears to be a pretty severe case of mal de mer. Or maybe that guy just swooned. Maybe he's afraid. Can we call that hand on his brow a "Fear Hand"? I think we can. I think I will.
• "How was I to know when I broke my boat mirror that my luck would turn so bad...?"
• The gunwoman here seems like a plucky, take-charge kind of gal, I love her. The gun looks a little warped or wonky somehow, but her face! It's all business. I would not f*** with someone making that face.
• I like how you have to kind of sit with this painting for a while to figure just what the hell is going on, which way is up, who's doing what, etc. It really ... unfolds, the more you look at it. 
• Just noticed that my man appears to be tickling her underboob, which is a funny thing to do when your life is in danger, but people cope with stress in all kinds of ways, who am I to judge?

Best things about this back cover:

• typewriter font...
• "Clint half-slid"—classic sap behavior: always half-sliding, never all-the-way sliding. Commit to something, for once in your life, Clint!
• This book should be titled Bring Me The Head of Clint Farrell!
• Devvy! Wow now I love her more. It's like the Devil and a Chevy had a gun-wielding baby!

Page 123~

"Nuts!" Clint told her. "Look, come down or I'm coming up. All you need is a banana in your fist."

Sure, Clint has a pretty limited, primarily food-based vocabulary, but what a charmer! Feel free to use the line, "Is that a banana in your fist, or are you just glad to see me?" next time the occasion seems to warrant it. [I should add that I almost abandoned Page 123 for Page 122, the first words of which are, "... sucked the boom stick down by its butt ..."]

~RP

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Paperback 1005: All Men Are Liars / John Stephen Strange (Dell 438)

Paperback 1005: Dell 438 (1st ptg, 1950)

Title: All Men Are Liars
Author: John Stephen Strange
Cover artist: Robert Stanley

Condition: 6/10
Estimated value: $5-10

Best things about this cover:

• "I solemnly swear ... aw, who am I kidding? All men are liars, amirite!? Up top!"
• Her side-eye! I really should have a "Women Looking At Losers" blog tag. (See Paperback 1004)
• Her mustard suit is smokin'
• Shouldn't "man about town" be hyphenated? ... wow, even dictionaries seem divided on this one. One thing no one's divided on: the Ben Affleck movie "Man About Town" is probably best left back in 2006.

Best things about this back cover;

• Mapback!
• Love the Gay '90s font on the title, wtf
• How have they managed to make Manhattan look so boring? So many things on that island we get ... a generic courtroom interior!?
• The crossword maker in me is like "hmm... is HDQRS really a valid abbr.?"

Page 123~

Won Way Street rose and strolled across the well of the court.

Sorry. I'm dead. That name just killed me.

~RP

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Paperback 934: My Gun Is Quick / Mickey Spillane (Signet 791)

Paperback 934: Signet 791 (1st ptg, 1950)

Title: My Gun Is Quick
Author: Mickey Spillane
Cover artist: Lou Kimmel

Estimated value: $4-7

[Part of the Laura R. Braunstein Collection]

Best things about this cover:

• This is what all vintage paperbacks should look like—authentically beat to fuck.
• People really read Spillane. To pieces.
• I love the male fear hand! Gender equity!

Best things about this back cover:

• The *Hammer* mystery will *hit* me? Stellar wordplay, copy guy.
• I feel like they should be "seductively-lit" apartments. Not "-lighted." Hey, copy guy...
• Damn, that Spillane portrait is olden. I'm used to the buzz-cut, t-shirted, gun-wielding dude. This dude:

Page 123~

Finally she said, "The baby clothes, Mike . . . it fits!"

Mike, now wearing a onesie, wondered how he would ever regain his dignity.

~RP

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Paperback 911: Darkness at Noon / Arthur Koestler (Signet 671)

Paperback 911: Signet 671 (2nd ptg, 1950)

Title: Darkness at Noon
Author: Arthur Koestler
Cover artist: [jonas?]

Estimated value: $7-10

Best things about this cover:

• This looks like me at roughly 9:30am on the days I don't teach. Minus the cigarette, I mean. Ladies ... liquor ... mystery dude in a hat ... these are where my thoughts wander.
• This is a classic, but I haven't read it. I am surprised to find it is about a lazy dude fantasizing about Parisian booze and broads.
• It's a prison novel, but this doesn't really evoke prison. Faint hints of "brick" in the walls, but that robe looks too comfy for prisonwear.

Best things about this back cover:

• Ah, the era of the author-smoking photo. So ... debonair.
• But also so tiny, what the hell's with the picture shrinkage?
• That cover copy does not offer much in the way of breathing room. Yikes.

Page 123~

Woe to the fool and the aesthete who only ask how and not why.

This is in the middle of a dense philosophical section that is all italics and also a bummer.

~RP

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Paperback 864: A Man Called Spade / Dashiell Hammett (Dell 411)

Paperback 864: Dell 411 (2nd ptg, 1st thus, 1950)

Title: A Man Called Spade
Author: Dashiell Hammett
Cover artist: Robert Stanley

Estimated value: $30

Best things about this cover:

• Spade's tie is super-excited for battle.
• If you looked in a 1950 encyclopedia under "Private Dick": this picture. Chiseled. Determined. Behatted. Textbook.
• Fear Hand Photobomb!
• The scale / perspective is All wrong on this, but given that awesome green shirt, I'm gonna allow it.
• "She screamed as Spade dashed up the stairs"—get it? "Dashed"? Yeah, you get it.
• I have a friend whose kid is named Dashiell. Art Spiegelman's son is named Dashiell. This concludes the Dashiell-shout-out portion of my the program.

Best things about this back cover:

• Mapback!
• Whoa. You know, sometimes we forget that 1940s apartments were all long couches and putting greens.
• Max Bliss is the best unintentional porn name I've come across in a Long time.
• I love a pitcher of Bloody Marys as much as anyone, but maybe ease up on the celery there.
• Wow, Max Bliss's daughter is taking that "50 Shades of Grey" thing a bit literally.

'
Page 123~ (from "Too Many Have Lived")

She was short, square, as if carved economically from a cube. 

Talk about economical. That is some haiku-esque objectification right there. Classic.

~RP

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Paperback 854: Spring Riot / Jay Presson (Lion 42)

Paperback 854: Lion Books 42 (1st ptg, 1950)

Title: Spring Riot
Author: Jay Presson [Jay Presson Allen, screenwriter of some note; also, a woman] [h/t Bill Crider]
Cover artist: Alan Smithee (uncredited, actually)

Estimated value: $10-15


Best things about this cover:

• "I want MORE than your body, Susan … I want … I want your green sofa. I'll give you $20."
• His face reminds me of the Jaime Sommers ("The Bionic Woman") beauty/styling head my sister got once as a gift and then left on the bricks in front of the fire and then her face did a slow horror-movie cave-in. It's a good thing we can't see the right side of his face, because I am convinced it is doing terrible things.
• Art here is just terrible. Those hands! His are practically amphibious. Hyper-slim and not convincingly human.
• I love her 1000-yard stare. "No, Steve. I'm meant for bigger, for much bigger things than this book cover."

Best things about this back cover:

• Ah, the '50s, when rape = "passion." Good times.
• I keep seeing "Kipping Silk" and thinking "that sounds like fun … what is that?"
• "His mouth closed down on hers…" For the CPR fetishist in all of us!
• I love the idea of her palm "exploding" across his mouth. Exploding palms would be a cool superpower.
• Oh, she's "evil," so it's OK. You can enjoy the rape scene with no guilt. Just don't your friends how it ends (!?!).

Page 123~

And wonder of wonders, the next day she did go docilely with him to the dentist.

I don't even want to touch that sentence. I'm gonna leave it there in all its perfect, crystalline glory.

~RP

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Paperback 853: Anna Becker / Max White (Bantam 830)

Paperback 853: Bantam 830 (1st ptg, 1950)

Title: Anna Becker
Author: Max White
Cover artist: Uncredited

Estimated value: $8-12

Donation to the collection from The Second Reader Bookshop (Buffalo, NY)


Best things about this cover:

• Who can forget Anna Becker's great novel, "Max White"? Or vice versa, I forget.
• This cover raises one (and only one) very important question: Where Can I Get That Lamp!?
• Anna had vowed to protect the Jesus Chair at all costs! ALL COSTS!
• Ew, what is he doing with his right thumb?
• Ew, "torn between fright and desire" is rapist talk, man. "She was shaking and resisting, but … ya know." Gross.

Best things about this back cover:

• So basically it's an exposé of the sexy librarian.
• A "FRANK" exposé! Hell yeah, "frank"!
• Sometimes I think paperbacks came to exist because hardback dust jacket cover art was just So Bad.

Page 123~

So when Harrison said he liked Anna better now, she was not prepared to see what he meant.

I understand, Anna. We all understand. P.S. run.

~RP

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Paperback 850: Famous Sheriffs and Western Outlaws / William MacLeod Raine (Perma Books P18)

Paperback 850: Perma Books P18 (1st ptg, circa 1948)

Title: Famous Sheriffs and Western Outlaws
Author: William MacLeod Raine
Cover artist: Uncredited

Estimated value: $15-20


Best things about this cover:

• What are "Things you'd find in the most cliché depiction of a saloon"?
• Hardbound paperback. Because "Perma"nence. Permabooks is retrospectively adorable.
• So the guy shoots his gun then lays it gently down on the table and walks away. Seems … implausible.
• I like the aural juxtaposition (!) of "cloud" and "rain" in this dude's name.

Best things about this back cover:

• "BOOKS*TO*KEEP." It kills me that your core concept is that paperbacks should come in a hardbound version for preservation purposes … and then several years later, you still have the same name, but the hardbound versions: gone.
• This company is dedicated to stretching the meaning of "permanent" as far as possible before it snaps.
• The problem with the PERMAgloss, as any paperback collector knows, is that "perma" part is a damn lie. Shit peels off like crazy. Here, it's just pulling from the surface slightly, creating weird puddle-like patterns that I'm not sure you can even see on the scans.

Page 123~

But they did not leave wholly unavenged.

~RP

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Paperback 842: The Captive Women / Walter D. Edmonds (Bantam 708)

Paperback 842: Bantam 708 (3rd ptg, 1950)

Title: The Captive Women
Author: Walter D. Edmonds
Cover artist: Denver Gillen

Estimated Value: $8


Best things about this cover:

• Something about "Squat-o" there gives the whole cover a wacky feel. Like this is going to be some kind of domestic comedy. I'm pretty sure he's saying "What is it with dames these days, Fred!?"
• Fred is nodding knowingly. "I know, man. My captive woman keeps maxing out my credit card. I'm like, 'Damn, babe, how many damn pairs of moccasins do you need?'"
• What is Fred gripping? Is it a gun? If so, follow-up: how long were guns back then?

Best things about this back cover:

• $8.64 with tax.
• This is called "The Captive Women" because "Delia's Gone" was taken.
• Does the relative handsomeness of the "buck" mitigate the slavery somehow? I would've guessed 'no.'

Page 123~

While they slept the woman and the girl went through their packs, exclaiming at the worn out moccasins and the mending to be done and showing each other the best pelts.

Fred was right, man. These broads are crazy for moccasins.

~RP

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Paperback 816: The Outward Room / Millen Brand (Lion 26)

Paperback 816: Lion Books 26 (1st ptg, 1950)

Title: The Outward Room
Author: Millen Brand
Cover artist: Harry Schaare

Yours for: $14


Best things about this cover:

• Can an insane woman heat her lukewarm coffee with just the sustained gaze of her eyeballs?
• Joe blamed Harriet for their second-place finish in the Shiniest Hair Pageant of 1949.
• I have no idea what this book's about and don't really care because I'm *obsessed* with all the authentic '50s diner details. Napkin dispenser! Sugar dispenser! Ketchup bottle! Uniformed dude in front of the "25c" special sign next to the giant urn! Salt shaker, ribbed, for my pleasure! One of the few cover paintings where the people are far, far less interesting than their surroundings.
• OK, her bumblebee/pirate top is pretty boss.

Best things about this back cover:

• "No", she said. She felt no hunger. Which is why she said "no." Just to be clear.
• This back cover came out during the brief Xtreme Font Smallness craze of 1950.
• Insane girls are easy.
• Harriet found Joe slightly more interesting than staring at ketchup, so she thought "Sure, why not?"

Page 123~

The clock moved, the dresses knew no sweat, set their loveliness against their bodies. Hospital, forget—she cut with the scissors, but thread, but memory until the present burned alone in the threads falling. 

"Hospital, Forget" would've made a much more interesting title.

~RP

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Paperback 810: The Intimate Stranger / William Lynch (Lion Books 25)

Paperback 810: Lion Books 25 (1st ptg, 1950)

Title: The Intimate Stranger
Author: William Lynch
Cover artist: Woodi (Ishmael)

Yours for: $10


Best things about this cover:

• "No … not the dress strap … alright, alright, I give. I'll murder someone."
• Melissa's lessons in "how to use furniture" were long and grueling.
• I genuinely like her whole get-up. 
• The Erotic Awakening of Ward Cleaver.

Best things about this back cover:

• Well, there's your first problem, lady. You gotta offer yourself to one of them there sane guys.
• "He was an artist … you know how they are."
• Green polka dots are my new favorite back cover design concept.

Page 123~

The underbrush scraped her bare legs, leaving torn, painful weals, sometimes tearing away filings of flesh and her hands were sore and torn with the constant grasping of bushes for support.

That is a manifestly terrible sentence, on several levels, and yet I kinda wish the book were titled "Filings of Flesh."

~RP

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Paperback 779: Million Dollar Murder / Edward Ronns (Gold Medal 110)

Paperback 779: Gold Medal 110 (PBO, 1950)

Title: Million Dollar Murder
Author: Edward Ronns
Cover artist: Uncredited

Yours for: $9


Best things about this cover:

• His head is decidedly not in proportion to the rest of him. I imagine his voice is helium-ridden. "Throw me the flashlight," he squeaked.
• There is a genre of cover painting wherein dead women are draped backwards over pieces of furniture (beds, couches, etc.), of which this painting is a close cousin. Coming back toward the camera, tits high and mighty. It's disturbing, though I guess if I just imagine she's sleeping … less so.
• The cover copy *sounds* good, but really, really lacks logic.

Best things about this back cover:

• Early paperbacks were terrible at this back-cover stuff. Except Dell. Mapbacks heal all wounds.
• "A list. A list of things one might find in a cheap thriller. A list where the last item is long and convoluted. And murder times infinity."
• Edward Ronns is really Edward S. Aarons. Or vice versa. I forget. (I was right the first time)

Page 123~

Broom said: "You're learning. About the birds and the bees, I mean. Take the bees, for instance. The queen bee, especially. You know much about the queen bee, Sam?"

"You're driveling," Sam said.

"Look," Broom eructed, "if you're not going to take these apiology classes seriously, you're never going to be able to write an adequate epic simile. So shut up and listen!"

~RP

PS Fear Hand!

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Paperback 745: The Wild Horse / Les Savage, Jr. (Gold Medal 111)

Paperback 745: Gold Medal 111 (PBO, 1950)

Title: The Wild Horse
Author: Les Savage, Jr.
Cover artist: Uncredited

Yours for: $10


Best things about this cover:

• The horse or the girl! Every man must choose.
• When you find your horse "desirable," well, it reacts like this.
• Few writers were more savage than … Les Savage!"
• Musculature lovingly drawn by someone who appears to have spent a Lot of time underneath a horse.

Best things about this back cover:

• "If you like girls and horses and especially girl horses, prepare your blood for stirring!"
• Oh, the horse is a him. The plot thickens.
• Look, there's "horse lover" and then there's whatever bizarre romance novel shenanigans is going on here. If your horse is kindling in your breast a wild dream of possession for more than four hours, see a doctor.
• He's written best-sellers before, so … who's to say he won't some time again in the future. Les Savage!

Page 123~

"Why not put it in words, Rockwall? It's been in both our minds for a long time now. You can't deny it, can you?"

I really, really want the horse's name to be 'Rockwall.'

~RP

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Paperback 737: Duke / Hal Ellson (Popular Library 219)

Paperback 737: Popular Library 219 (5th ptg, 1950)

Title: Duke
Author: Hal Ellson
Cover artist: Rudolph Belarski

Yours for: $12


Best things about this cover:

• Her "whatever" face is the best.
• Black Joan Crawford could take you or leave you.
• Shoes! Why does everyone on old paperbacks look so damn cool. Even goofy people look cool. Even Flat-butt No Face here has a certain simple, shabby style I admire. 
• Juvenile delinquency! Dope! Smoking (literally) hot girls who could give a damn! This book has it all.
• The one word I think of when I see Belarski's artwork: creamy. 

Best things about this back cover:

• Love the advisory at the end there! "If you barf easy, or don't, like, care about important stuff, then fuck off already." This book has the same attitude as the lady on the cover.
• Marijuana. I like when books name their drugs. Even though this is a 5th printing, the great condition, the JD (juvenile delinquency) theme, and the drug references make it super-sweet / collectible. 
• "Cash before pleasure"? Come on, you gotta up your slang game if you're gonna run the streets. "Money before honeys"? "Dough before ho"? "Cheddar before girls in tight sweaters"? Something.

Page 123~

"You got any sticks on you?" Chink said.
"Yeah, I got some. You want one."
"I could use it."
I gave Chink one. I passed some around to the others. I lit one for myself. I needed that. We all got to be feeling gay then. 

Aw, yeah … [cue sexy music] …

~RP

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Paperback 729: Something's Got to Give / Marion Hargrove (Popular Library 222)

Paperback 729: Popular Library 222 (1st ptg, 1950)

Title: Something's Got To Give
Author: Marion Hargrove
Cover artist: familiar but Uncredited [Earle Bergey]

Yours for: $9


Best things about this cover:

• Boobs. FUN. Boobs are FUN. I get it now.
• Damn, that's pretty sexy for radio.
• A Lady Lay Abed Too Long … and so she conceived twins? With captain Pipey McChinless there?
• Those Children-of-the-Corn twins will haunt your dreams.
• Question smoke! Nice.
• She is flipping you off.

Best things about this back cover:

• OK, that opening line is Great: "It happened in bed…"
• More Popular Library Nothingness. Ugh.
• Audiences *love* "babies screaming in neglect." Don't you miss the days when paternal incompetence was charming?

Page 123~

"He couldn't have been too hungry," I pointed out, "if he left one of the peas on his plate."

Enjoy your future eating disorder, kid.

~RP

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Paperback 569: The Blank Wall / Elisabeth Sanxay Holding (Pocket Books 662)

Paperback 569: Pocket Books 662 (1st ptg, 1950)

Title: The Blank Wall
Author: Elisabeth Sanxay Holding
Cover artist: Harvey Kidder

Yours for: $12


Best things about this cover:

• Lucia was horrified to find her husband was cheating on her with ... a boat.
• "Hey, Lucia, this glass-bottomed boat is awesome. I can see, like, fishes and stuff." "Screw the fishes, Harold! My necklace! Do you see my necklace!?"
• The "jail bait" is off-screen. This here is the MILFy heroine, Lucia. I love this book. You can probably tell by now that I went through a bit of a Holding phase at one point. She's deeply underrated, and this book in particular is a fascinating, domestic twist on the hard-boiled novel. One of my ten favorite crime novels, easy.

Best things about this back cover:

• "BUT THE TYPEWRITER IS STUCK ON ALL CAPS"

Page 123~

She stood silent, her lashes lowered. She knew that he was looking at her; she knew that she was dark, slender and lovely; she knew that he was waiting for her to look up, and presently she raised her eyes.

Seriously, this is one of the hottest scenes in the book, when you can see (though the novel never has anyone say it outright) that she (respectable wartime housewife) and this hoodlum-turned-savior are kind of in love, in this super-romantic and criminal and impossible way. Things can't, and don't, end well, but their relationship is amazing—unique, compelling, believable. Also, this is a great WWII-era book. Lots of details about ordinary, domestic life during war. Oh, and it deals with race in ways that most crime novels of the period totally avoid. The black housekeeper, Sibyl, is a crucial, well-developed character. Did I mention I love this book? I wish Holding's stuff were more widely available.

~RP

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Paperback 541: The Case of the Careless Kitten / Erle Stanley Gardner (Pocket Books 724)

Paperback 541: Pocket Books 724 (1st ptg, 1950)

Title: The Case of the Careless Kitten
Author: Erle Stanley Gardner
Cover artist: "Front cover photograph by Paulus Lesser"

Yours for: SOLD! (6/20/12)

Best things about this cover:

• "Hey, what's up? My name's Gary. I'm here to read for the role of 'Careless Kitten.' So ... do I stand here, or ... what? Oh, too close? Sorry."
• Perry Mason solves 'The Case of the World's Least Meme-able Cat'
• Seriously, this cover makes me laugh more than most covers I own. What the hell is happening? I love this cat. He's like the vintage paperback Anti-Cover. "No semi-naked ladies to see here, fella. MOVE along ..."
• This was one of maybe 30 *more* ESG / AA Fair books I got from a generous reader. That makes 60-70 total. I'm gonna start reading the Perry Mason stuff in order ... if I like it, I'll keep going (at his worst, Gardner is competent, so I think I'm going to like it).

Best things about this back cover:

• When Helen Kendal lost the second "L" in her last name, she knew just where to turn.
• That's a human "corpse," I assume. Because one murdered kitten may be my limit.
• When I want to add spice to my hot dish, I collect a scalp. Of course.

Page 123~

Della Street went on rapidly. "It's that way when someone near to you passes away. It's a shock. Your brother must have been smart, Mr. Lunk."

"Despite what his name suggests," she added.

~RP

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Paperback 527: Arch of Triumph / Erich Maria Remarque (Signet S796)

Paperback 527: Signet S796 (1st ptg, 1950)

Title: Arch of Triumph
Author: Erich Maria Remarque
Cover artist: James Avati

Yours for: $6

Best things about this cover:

• Now *this* is what an Avati cover typically looks like. A set piece. Still life with moody people. There's something almost religious about the tone of the paintings. This one is a very miniature Last Supper, if the Last Supper had consisted of wine, coffee, cigarettes, moody introspection, and distant staring.
• Figures even have very faint haloes of light—grime-colored haloes.
• What's happening beneath the table? Is he on pillows? Sitting crosslegged? Perspective seems slightly off to me.

Best things about this back cover:

• NOBODY CROSSES ERICH MARIA REMARQUE! NOBODY!
• ERICH MARIA REMARQUE WILL HAVE HIS REVENGE!
• ERICH MARIA REMARQUE CAN READ YOUR MIND!
• Seriously, that is one freaky author photo.

Page 123~

He got up and began to dress. One must remain independent. Everything began with small dependencies. One did not notice them much. And suddenly one was entangled in the net of habit. Habit for which many names existed—love was one of them. One should not grow accustomed to anything. Not even to a body.

Not a fan of the long sentences. I like. I'm mentally underlining "entangled in the net of habit," which is a useful and elegant metaphor.

~RP

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Paperback 522: Hope of Heaven / John O'Hara (Avon 258)

Paperback 522: Avon 258 (1st thus, 1950)

Title: Hope of Heaven
Author: John O'Hara
Cover artist: Uncredited

Yours for: $10

Best things about this cover:

• She's stuck somewhere between sexy strip-tease and "I need help with my coat jackass why are you just standing there staring?"
• It's a shame she's caught in this awkward in-between state, because if she'd just put the jacket back on and turn around, I bet she'd look stunning. Also, if she just took it off, probably same.
• She is lit *beautifully*; gives her a fantastic angelic/demonic quality (the deep red backdrop helps with the "demonic" part). 
• Dude's hair is shiny.

Best things about this back cover:

• I love DON MILLER so much right now. I want to see him in a film noir right now.
• I kind of want someone to tell naive me what it means that James Malloy "still wondered whether Karen had dimples on her knees," and then again I kind of like just using my imagination.
• "Frankness!" O man, I've missed "frank"—feels like it's been a while.

Page 123~

   "I'll give you the address of my agent. If you get in a bad jam, I mean you're badly on the nut or something like that, you write me care of this guy, and I'll let you have some more. On one condition."
   "That I never bother Peggy. I know. And thanks for the offer, but I'll never bother you, either. I don't think I will. If I do, don't send me any money. It'll only go for booze. That's what this is going for."
   He had half a load on now, but was carrying it well.

Is this DON MILLER? God I love this guy. "It'll only go for booze." Nosce te ipsum, Don Miller!

~RP

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P.S. Page 120 has this gem, of special relevance to me and my geographical situationality:

"But by that time I didn't give a God damn. I was one of those fellows, give a dog a bad name, and by that time I was living off a whore in Binghamton, New York." [this last phrase is underlined in pen–the only such phrase in the whole book]