Paperback 1113: World So Wide / Sinclair Lewis (Pyramid G596)

 Paperback 1113: Pyramid G596 (1st ptg, 1961)

Title: World So Wide

Author: Sinclair Lewis

Cover artist: Tom Miller

Condition: 7/10

Value: $5-8

Best things about this cover: 

• They shoulda called this "Gondola So Wide." Gondola so wide it fills the frame and reduces the lovely languishing lady to the size of a postage stamp. More bored expatriates in party dresses, fewer expanses of dull blue-gray, please!
• The composition is actually very nice, it's just that I don't buy these books for their lovely motel-room-quality pictures of exotic locales. I buy them for the sexy people acting strangely. For the hair, for the shoes. For the fashion. For the depravity. For the world-weary ennui of the mid-century sophisticate. This tepid gondola scene gives me (almost) none of this.
• To his credit, the artist (Tom Miller! Credited!) does a good job of making the couple pop. That damn pink dress against the somehow even pinker cushion? Magnificent. Also magnificent: her half-interest in Jake Trustfund there. Jake: "I love you, darling!" Her: "Mmm, yes. I know. Let's practice being quiet."

Best things about this back cover: 

• This ... this just tints the least interesting part of the front cover pink!? Boo! Boo to this back cover designer, I say.
• Adjectives must come in pairs! "Blazing sunny!" "warm and human!" "hot, passionate!" "scathing, cynical!" Can't believe they left "amazing" in there unattended.
• Lewis had been accused of being "Red" after the publication of It Can't Happen Here, a novel from the mid-'30s that imagined what American fascism would look like. The book was ... prescient. It concerned "a demagogue [Windrip] who is elected President of the United States, after fomenting fear and promising drastic economic and social reforms while promoting a return to patriotism and "traditional" values. After his election, Windrip takes complete control of the government via self-coup and imposes totalitarian rule with the help of a ruthless paramilitary force" (wikipedia). Sound familiar? No? OK.

Page 123~

The five of them, plus the inescapable Marchesa Valdarno, sat prim about the refectory table of Irish oak, eating their molds of rice with duck livers served on English plates with views of Kent, while Belfont, with what he felt to be gentlemanly but learned humor, pumped Lundsgard, who answered with good-hearted simplicity.

This is very precise, poetic writing. And yet I can't help but wish there were more about "the inescapable Marchesa Valdarno." Flipping through the book, I find that the Marchesa "suavely jeered not only at America but at Parisian drunkards, English watering-places, old Roman society, and the Sadie Lurcher Riviera set [!!!?], of which Valdarno herself was a member." I'd sit next to her at the refectory table of Irish oak any day.

~RP

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Paperback 1022: Orbit Unlimited / Poul Anderson (Pyramid G615)

Paperback 1022: Pyramid G615 (PBO, 1961)

Title: Orbit Unlimited
Author: Poul Anderson
Cover artist: John Schoenherr (credited)

Condition: 8/10
Estimated value: $8-12

Best things about this cover:

• Tired of orbit plans that restrict your orbiting times or charge your over-orbiting fees? Then sign up for Sprint's new Orbit Unlimited plan. Orbit any time. Here we see subscribers enjoying the Orbit Unlimited Family plan...
• This cover is super boring. I'm kind of interested in the space surfboard, and in the rusty nose of whatever that vessel it is the astrofolk are exploring. But honestly the most interesting thing about this cover is the military surplus font and its alternate-letter coloring.
• I still haven't read a damn thing Poul Anderson has written, despite owning what feels like dozens of his books.

Best things about this back cover:

• Was it a trap? It's a trap! I hear it's a trap.
• Even this premise sounds boring. They left to avoid oppression. But then they got a message: "Oppression over!" Should they believe the message? Wait, stop, why are you putting the book back on the shelf? OK, no, wait, there's seexxxxxxxx...." Shelf time unlimited.
• "The Top-Selling American Book In Russia" is one of the weirdest promo claims I've ever seen on a book. I'm not even sure what that's supposed to signify to me.
• 1961: Everybody's Reading "The Gadfly"! 2018: Nobody Has Heard of "The Gadfly"!

Page 123~

"We'd better plan our next moves in advance. Also, it's time for a rest and a snack."

Finally, scifi I can relate to.

~RP

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Paperback 1009: Voyage to the Bottom of the Sea / Theodore Sturgeon (Pyramid G622)

Paperback 1009: Pyramid G622 (PBO, 1961)

Title: Voyage to the Bottom of the Sea
Author: Theodore Sturgeon
Cover artist: Jim Mitchell (credited, back cover)

Condition: 8/10
Estimated value: $10-15

Best things about this cover:

• I guess if your name's Sturgeon, writing about sea creatures is probably inevitable
• Love the design on the dragon-eel, and the sub, and the font. Peak midcentury fantasy design
• This was a movie, apparently. It was also a television show, which is streaming via Amazon Prime, which I discovered because who wouldn't be curious after seeing this book
• The writing in this book is superior. Sparkling and witty in a way I do not associate with novelizations of B movies. But that's what happens, I guess, when you get a legend to do the work, I guess. Sturgeon is something else

Best things about this back cover:

• AFIRE is a word I don't see that often, except in crosswords
• I really, really want Destiny to be the name of some aquatic femme fatale
• Here's the movie, free on youtube. The format is completely jacked, so I don't think I can bear watching it. Maybe if I ever get super-bored. I'm almost certain this book is infinitely superior to the movie

Page 123~

It was Emery, too, who wondered what had killed the whale. Even the ripped, tattered evidence of the 'cudas at work could not conceal that the whale had been riven, blasted, crushed. Someone aboard might certainly have thought of an answer if it had not been for the murder of O'Brien.

Normal reader: "Whoa, what a vivid image of a mangled whale being feasted on by barracudas." Me: "Hmmm .... CUDAS ... I wonder if I should add that to my crossword wordlist ..."

~RP

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Paperback 988: The Trail of Fu Manchu / Sax Rohmer (Pyramid R-1003)

Paperback 988: Pyramid R-1003 (1st ptg, 1964)

Title: The Trail of Fu Manchu
Author: Sax Rohmer
Cover artist: Robert Maguire (credited as "Bob Maguire")

Estimated value: $10-15
Condition: 8/10

Best things about this cover:

• Psst, guys, he's up there ... up ... to your right ... your ... my left ... up ...
• "I say, old man, is he in there?" "I'm afraid not." "Perhaps if you put down your brolly..." "No, I think not." "Well, we've done all we can. Tea?"
• This cover has all the drama and suspense of two dapper gents opening a green box.
• I like the inverted male gaze here—instead of two guys ogling naked lady statues, we have naked lady statues ogling two guys.
• It's not one of Maguire's more memorable covers, but Maguire is Maguire is Maguire; I'll take it.
• My wife got me this book at The Last Bookstore in L.A., which sounds Uh-mazing.

Best things about this back cover:

• Blah blah pulp cliche / orientalist nonsense
• But Nay!
• This was quite the franchise. I have never read any of these. Wonder if it's worth it...

Page 123~

"We are in part of the workings of an abandoned Thames tunnel. We are together because . . . we are going to die together."

See, I know I'm supposed to be rapt by the dramatic final utterance here, but all I can think of is "Why the hell is 'part of the workings of' in that first sentence!? Do you enjoy murdering sentences? Do You!?"

~RP

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Paperback 828: Dead in Bed / Day Keene (Pyramid G448)

Paperback 828: Pyramid G448 (PBO, 1959)

Title: Dead in Bed
Author: Day Keene
Cover artist: Harry Schaare

Estimated value: $55


Best things about this cover:

• Said it before, I'll say it again: "women spilling backwards off of furniture" is an oddly common paperback cover trope. Really should've created that tag a long time ago (WSBOF).
• That left hand, like many things about her body, is physically preposterous. My understanding is that dead people are much more prone to gravity than this painting would suggest. Seriously, what is her right shin doing? It's managed to get air, somehow.
• Dude's left hand is Super suggestively placed. He also appears to be floating down from outer space, or at least the ceiling.
• Also, dude is Hawaiian. You can tell by … I don't know what.

Best things about this back cover:

• Possibly the worst tag line in the history of tag lines. Belongs in some kind of noir feminine hygiene ad.
• Yes, when you rearrange her body thusly, the picture *does* make a lot more sense.
• It's a story of more things that start with "b" than ever happened to any braindead bozo, Bolivian or otherwise.
• That last paragraph needs both a lexicographer and an em-dash remover, stat.

Page 123~

She exhaled sharply as she knew what it was like to be a woman for the first time. At least, that's what she said.

Before Johnny put his cock in her, she had imagined herself a grapefruit. Thank you, Johnny.

[Full disclosure, that bit's actually from p. 122, but there was no way I was not choosing it. No way.]

~RP

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Paperback 813: I Always Wanted to Be Somebody / Althea Gibson (Pyramid G478)

Paperback 813: Pyramid G478  (1st ptg, 1960)

Title: I Always Wanted to Be Somebody
Author: Althea Gibson (ed. Ed Fitzgerald)
Cover artist: Robert V. Engel (aka 'Engle' for some reason)

Yours for: $18


Best things about this cover:

• Not the most dynamic painting, but striking and endearing, as straight portrait painting goes. Rare, if not unique, in my collection for featuring (or even mentioning the existence of) a female black icon.
• I normally squirm at handwriting fonts, but this one is somehow lovely. Nice change of color on "Somebody."
• I wish this cover (or the back cover) featured more, uh, tennis.

Best things about this back cover:

• There's something at least a little insulting about a back cover photo that showcases the fucking queen, while the ostensible subject of the book is literally marginalized, with her back turned. Also, I resent the idea that shaking hands with the queen makes you "somebody." I want the triumphant, trophy-holding shot!
• This back cover actually makes the book sound fantastic. Minus the "jungle" / "Harlem" connection. That, I could do without. I realize "Asphalt Jungle" is a book / movie title, but still…
• Oooh, *hard* liquor! Wow, that *is* tough. No Bud Light Lime-a-Ritas for her!

Page 123~

CONGRATULATIONS. EDNA CRIED WITH JOY. I KNEW YOU'D DO IT. SUGAR RAY.

~RP

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Paperbacks 780 and 781: The Unknown and The Unknown 5 / ed. D.R. Bensen (Pyramid R-851 and R962)

Paperbacks 780 & 781: Pyramid R-851 & R-962 (PBO, 1963 & 1964)

Titles: The Unknown and The Unknown 5
Editor: D.R. Bensen (both)
Cover artist: John Schoenherr (both) / Illus. by Edd Cartier (both)

Yours for: $12


Best things about these front covers:

• Two for one today, as these appeared back to back on my bookshelf and seemed to go together.
• The adorableness of Winky Peek-a-Boo Demon is considerably undermined by his unholy thumbnail.
• I'm classifying that bony limb on The Unknown 5 as "Fear Hand," though honestly, it's more like "Hey. 'Sup? Hand."
• Can't tell if that bird has no head, or if it's just set completely within its squat little torso.
• I don't know what became of The Unknowns 2-4, but I fear the worst.

Best things about this back cover:

• Weird that 3/5 of the names on The Unknown 5 are legendary and 2/5 I never ever saw before just now.
• Everybody must name something "Cleve," the next opportunity you get. I insist.
• I like that the back cover of The Unknown 5 believes there is such a category as "Fine Paperbacks." Adorable.

Page 123~ (from "Hell Is Forever" by Alfred Bester)

"Ego—" mused the voice. "That is something which, alas, none of us can understand. Nowhere in all the knowable cosmos is it to be found but on your planet, Mr. Braugh. It is a frightening thing and convinces me at times that yours is the race that will—" The voice broke off abruptly.

Don't tase me, Braugh.

~RP

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Paperback 704: Harlem Underground / Ed Lacy (Pyramid R-1220)

Paperback 704: Pyramid R-1220 (PBO, 1965)

Title: Harlem Underground
Author: Ed Lacy
Cover artist: Harry Schaare

Yours for: $13


Best things about this cover:

• Sleeper hold!
• Interesting variation on the noir street scene. You got your bar and your rain-slicked streets (or so I imagine), but apparently in Harlem there are brown/purple overtones, sliced through with neon red. Interesting effect.
• Not one but *two* floating heads. Highly unusual.
• I like how the big floating head appears to be looking down on some earlier version of himself, going "Damn, did I do that? That's cold."
• You can see Schaare's signature right under the big head's right eye. Unless that says "Espresso." It's pretty smudgy.

Best things about this back cover:

• Wait, *I*'m a rookie cop? But I already have ... OK, fuck it, sure, I'm in.
• As street names go, "Purple Eye" seems kind of limp.
• There's something quaint about how much terror the word "H-Bomb" apparently packed in 1965. Also, do H-Bombs have fuses? Serious question.

Page 123~

Breathing deeply I not only wanted to get out of Harlem, I wanted to take a rocket away from our mixed-up planet. 

Again with the cold war / space race fantasies. This book is adorable.

~RP

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Paperback 703: Honey in the Flesh / G. G. Fickling (Pyramid G411)

Paperback 703: Pyramid G411 (PBO, 1959)

Title: Honey in the Flesh
Author: G. G. Fickling
Cover artist: Harry Schaare

Yours for: Must keep, if only for back cover


Best things about this cover:

• I'm finding her cleavage both sexy and distracting. It's great if you don't think too much, but there's something proportionally and positionally off about her (mostly not visible) left breast. Like it's high and up and in. I actually love her dress and wish I could see more of it. And of course the gun is the perfect accessory.
• Hurray for female private eyes, of whom there were (pre-1980s) far, far too few.
• "The bodies beautiful" must be referencing some concept that had currency once that I don't know about. I feel like I've heard of "the body beautiful set" before, but that may be from some other, cheesier paperback that I own. That's a very romance-language construction (noun adjective). English doesn't normally ... do that.

[Click to see full size]

Best things about this back cover:

• Straight-up Hall-of-Fame back cover concept. You know how dull these things can be. But this? Visually arresting and also kind of hilarious (I mean the "Age" and "Physical Description" parts, not the dead parents part). 
• Not the best insurance application "photo" I've ever seen. Or maybe it is, as I don't think I've ever seen one.
• God bless a book with a clear cover artist credit. 
• Honey West and Mark Storm, your News 5 Weather Team.

Page 123~

"I've read about guys like you."
"Oh?"
"They get their kicks by squeezing two things at the same time."
"I don't follow you, Honey."
"The second squeeze is on the trigger."
"What trigger?"
"The one you've got buried in my ribs."
"What?"

Eventually, Godot shows up.

~RP

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Paperback 638: Body of the Crime / Larry Heller (Pyramid F-751)

Paperback 638: Pyramid Books F-751 (1st ptg, 1962)

Title: Body of the Crime
Author: Larry Heller
Cover artist:  Ben Wohlberg

Yours for: $10


Best things about this cover:

• This is one of those titles that has the familiar ring of Crime Novel, but actually makes no sense. 
• This is not a bad scan. The book actually looks this odd and smeary. Really bad "black." 
• Is he taking a pulse or casting a spell? 
• I like the cop in the background, running right toward us. And the headlights. An the faint red of the police siren.

Best things about this back cover:

• Ew, now I know my least favorite hyphenated word.
• This book couldn't sound more generic if it tried.
• I love a good cover artist credit. Clearly visible complete name. God bless Pyramid.

Page 123~

"I'd chew the ass off the man who as much as opened his mouth to a newspaper reporter," said Ewing flatly.

My favorite part of that sentence is "flatly."

~RP

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Paperback 635: The Time Tunnel / Murray Leinster (Pyramid R-1522)

Paperback 635: Pyramid R-1522 (1st ptg, 1967)

Title: The Time Tunnel
Author: Murray Leinster
Cover artist: Jack Gaughan

Yours for: $9


Best things about this cover:

• Y'know ... it's pretty standard TV tie-in fair. Network logo. TV title font. A tunnel (presumably of the "time" variety).
• I actually love the tunnel. Diminishing people descending into diminishing non-concentric circles. Simple and cool.
• Wikipedia tells me that Murray Leinster wrote a novel with this title in 1964, the plot of which was quite different. He then wrote this novelization of the TV series three years later, and then a later, final "Time Tunnel" novel called Timeslip: Time Tunnel Adventure #2. There were also two "Time Tunnel" Gold Key comics put out in '66-'67.
• Complete TV series is on Hulu Plus. I'm gonna check it out.

Best things about this back cover:

• Whoa, the "real" tunnel is an op-art nightmare.
• The Scientist Wore Shapeless Chinos (That Made His Ass Look Fat and Flat).
• Who could forget James Darren and Robert Colbert!? (A: everyone)
• "And it's produced by Irwin Allen, so you know it's top-of-the-line TV fare."—something someone somewhere must've thought at some time.

Page 123~

"I'm talking about the time traveller Kirk's assembled," said Doug urgently. "In the Tunnel chamber!" He said apprehensively: "We may be stuck here for always! Tony! The whole Project may turn out a failure!"

Tony roused. 

As terse, momentous sentences go, "Tony roused" is up there with "Jesus wept."

~RP

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Paperback 614: The Ordeal of Private Heath / Jeb Stuart (Pyramid 106)

Paperback 614: Pyramid Books 116 (1st ptg, 1953)

Title: The Ordeal of Private Heath
Author: Jeb Stuart
Cover artist: [Julian Paul]

Yours for: $11


Best things about this cover:

• "Your knees ... I can't hear anything ... I CAN'T HEAR ANYTHING!!!"
• Knee fetishism—truly "the gravest sin"!
• He likes it when you rub his head and tickle his underarm.
• I love her expression. "O, look at the spotlights. Why can't I be out at a movie premiere instead of stuck in this dank apartment grooming my shell-shocked boyfriend? I should've married that Bill Rivers when I had the chance."
• I also love the way she is lit. Gives the painting the feeling of a religious tableau — from one of the sillier Bible stories, perhaps.

Best things about this back cover:

• The front cover suggested it, the back cover suggests it more strongly, and a very quick perusal of contents of the book confirms it—"less than a man" = "queer."
• How many years had gone by since the publication of "A Farewell to Arms" and how bad were the war novels in that period?
• Interior blurb from James Michener. Also, the Binghamton Press. So, you know ... heavy hitters.
• "If you dislike stark realism, this book is not for you"—actual warning printed opposite title page. Heart of Starkness!
• The Louisville Courier-Journal says "Will be compared with The Naked and the Dead"; I'm guessing the publishers left off the "... and found wanting" part.

Page 123~

"You looked like a lion," she said.

"A lion," he said dryly, humorlessly. "A sad-looking lion indeed."

"An unhappy lion," she answered, getting up from the floor and seating herself beside him, touching his cheek, saying, "I will not ask questions."

A woman who knows her lions and stays out of your business. Sexy!

~RP

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Paperback 528: Palm Beach Apartment / Gail Jordan (Pyramid 15)

Paperback 528: Pyramid 15 (1st ptg, 1949)

Title: Palm Beach Apartment
Author: Gail Jordan
Cover artist: George Geygan

Yours for: $14

Best things about this cover:

• "Let's see ... I just need to get a closer look, and ... yep, that's an Adam's apple. Dang."
• Larry's bra-removing technique was so awkward and laborious and Gayle fell asleep before he was done.
• I honestly can't conceive of the context that would justify this particular arrangement of bodies. He's not dipping her, or lifting her, and yet she appears somewhat suspended. It's *possible* he's laying her down on the ... ground? Beach? Maybe their "love nest" is an actual nest. "They lived and loved like plovers!" That would "set the whole town talking," I imagine.

Best things about this back cover:

• "His ward," ha ha. She's Robin to his Batman.
• "'Hands off' Hester" is kind of a great nickname.
• I love the way the quotation marks alert us to these new-fangled expressions like "hands off" and "nice people."
• OK, now I understand the front cover. That's just Sam awakening to Hester's ripe womanhood. He's sniffing her to confirm that she's ripe.

Page 123~

    Hendy said sharply, "You told him?"
    Hester's eyes were wide. "Of course" she answered as though she thought the question too silly to merit a response.

Hendy & Hester! Coming this fall to NBC ("We've got a few holes to fill in our lineup").

~RP

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PS CBS did a piece on me last weekend (about my crossword blog)—there's lots of shots of my home office, where The Paperbacks live ... see the piece here.

Paperback 482: Sam / Lonnie Coleman (Pyramid G479)

Paperback 482: Pyramid G479 (1st ptg, 1960)

Title: Sam
Author: Lonnie Coleman
Cover artist: Uncredited

Yours for: $35

Best things about this cover:

• "Frank"! "Twilight world"! I do love my vintage paperback buzzwords.
• The giant "S" stands for "Super Sexy"
• Wow, Sam looks like he's really into ... Sam.
• QueerSam is about the most fabulous thing I've seen on a vintage paperback cover. His languid pose, his unbuttoned / flip-collared shirt, his hairless chest, his tight-as-hell red pants ... the way he is coming on to his buttondowned self, the way that he lives inside a tear in the space/time continuum ... all amazing.
• The New York Herald Tribune is testing out its Review-Bot 3000, now with patented "hyper-adjective mode"

Best things about this back cover:

• Unashamed homosexual!
• "Normal," HA ha.
• Oh, the gays and their "furtive wanderings" and inevitable chiropractic "adjustments"

Page 123~

His maleness had been stated; her susceptibility was understood by both of them.

"This is my maleness ... alright, let's do this!"

~RP

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Paperback 481: The Shame of Mary Quinn / Clifton Cuthbert (Pyramid 28)

Paperback 481: Pyramid 28 (1st ptg, 1951)

Title: The Shame of Mary Quinn
Author: Clifton Cuthbert
Cover artist: [Hunter Barken]

Yours for: $11

Best things about this cover:

• The powerful story of a boy who would not give up his beloved chair no matter how many half-naked magic tricks his sister did.
• The shame of Mary Quinn was her gigantic pasties—all the other strippers laughed at her, and even her most loyal patrons turned away in disgust.
• "Climax is tremendous!"—this is why Unnatural Love is so hard to give up ...

Best things about this back cover: 

• Wow. That's frank.
• "This book is about some dirty shit, but it's written in complete sentences and doesn't have curse words, so you don't have to feel so guilty."

Page 123~

They went to the bed and she looked past him to the wall, his embrace impersonalized for her. His painful grasp recalled her, she noticed his loving was rough and ill-tempered, and suddenly she took joy in it.

God, even rough sex can't withstand the withering assault of clunky, amateurish writing.

~RP

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Paperback 472: The Woman Racket / Gil Lawrence (Pyramid G468)

Paperback 472: Pyramid G468  (PBO, 1959)

Title: The Woman Racket
Author: Gil Lawrence
Cover artist: Miller (?)

Yours for: $25

Best things about this cover:

• The doctor's eyes! It's like he wants to blow that damned needle.
• The painting of the girl is actually pretty damned hot. I Love her dress. And her ... what is that, a datebook? 
• "Fury With Legs": an abstract concept that can get up and walk around!? Tell me more ...
• I like to think the girl is being pursued by Fury With Legs, mostly because she looks more like someone about to die in a horror movie than she does a girl going to get an abortion in pre-Roe v. Wade America.

Best things about this back cover:

• If you want to spice up your nouns, just put "Flesh" in front of them. It'll really make your flesh prose pop. (See!?)
• Shocking, brutally honest ... but not frank.
• Who is this "Miller" person and what does he have against first names?

Page 123~

I weighed the assets and demerits of the polygraph machines. "Yes," I told him finally. "I think it's a good idea. Lie detectors are good for snotty kids."

See, an ordinary writers would've just gone with "pros and cons," but this guy is a thesauristic master: "assets and demerits!" All hail unnatural usage! (Also, I'm imagining the polygraph industry's awesome ad campaign: "Lie detectors: They're good for snotty kids!"

~RP

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Paperback 398: Sinful Cities of the Western World / Hendrik De Leeuw (Pyramid 27)

Paperback 398: Pyramid Books 27 (1st ptg, 1951)

Title: Sinful Cities of the Western World
Author: Hendrik de Leeuw
Cover artist: Frederick Meyer

Yours for: $18


Best things about this cover:

• Touchdown! The Giantesses win again! Suck it, Lilliputians!
• Few people know that the Aurora Borealis is actually caused by a giant radioactive woman named Aurora. Here she is in the little Canadian fishing village where she grew up (before being bitten by that spider...).
• I love how nonchalant the little people are: "Ugh, her again. What a drama queen."

Best things about this back cover:

• Look at you, Hartford Courant, working the paradox angle. Look out, big city papers, there's a new kid on the blurb block, and he's hungry!
• The U.N. had a committee on "White Slavery???"
• Berlin, why must you be excessive in your sadism and homosexuality? Why can't you just be moderately sadistic and homosexual, like Luxembourg?
• Memo to copywriter re: last line—"arouse" and "alert" are not synonyms. So unless you really mean to encourage people to engage in the "horrible barter of human flesh," maybe a rewrite's in order.

Page 123~

Even the breath of the woman in my arms, as we danced again, was honey flavored.

"Hey, buddy, why do you keep licking the air around my head? ... well, you sound like a dog, so cut it out or I ain't dancin' with you no more."

~RP

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Paperback 360: The Big Bust / Ed Lacy (Pyramid X-2037)

Paperback 360: Pyramid X-2037 (PBO, 1969)

Title: The Big Bust
Author: Ed Lacy
Cover artist: F. Pfeifer

Yours for: SOLD! (10/8/10)


Best things about this cover:

• [Insert joke about connection between title and woman's rack here]
• For a woman who's tied up, gagged, and carrying a tiny drowning man in her stomach, she's awfully concerned about those guys behind her. Lady, you've got your own problems.
• I have reluctantly tagged this post with "Redhead" label, though honestly I don't know what you call that color.

Best things about this back cover:

• Geek observation #227: "Supercharged" is just "surcharged" with "P.E." inside it. . .
• So the woman is like good pancakes. Well, who wouldn't want to tail that?
• If the boardwalk is "bikini-filled," does that mean the ocean is filled with naked women (who, presumably, all left their bikinis on the boardwalk)? I hope so.
• One of these paragraphs should immediately be countered with "That's what she said!"

Page 123~

Walter awoke me at one-fifteen and watching for snakes, back of a crumpling wall, I changed into the woolen underwear and rubber suit, Rhoda's $60,000 bra doubling as a jock strap.

[Speechless]

~RP

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Paperback 333: Fighting Generals / Phil Hirsch (Pyramid G496)

Paperback 333: Pyramid G496 (PBO, 1960)

Title: Fighting Generals
Editor: Phil Hirsch
Cover artist: Mel Crair

Yours for: $10


Best things about this cover:

• Well, insofar as you can describe the "best things" about Nazis ... I'd say that is some fine portraiture. I love the expression on Rommel's face. He looks a bit like Colonel Klink. Accident?
• How many insignias does one man need?
• This title is superlame. I can't wait for the sequel, "Peaceful Generals." That, or "Fleeing Generals"

Best things about this back cover:

• Hmmm. Design on this is pretty nice. Staggered photos, staggered descriptions, on a two-tone back ground. Kind of evokes the stripes on a flag. Kind of evokes chaos.
• Of course the Russian sounds the worst. Hello, 1960! Fuck you, Commies!

Page 123~

The stooped old man looked harmless—but Hitler's killers knew he was a deadly threat to the Nazi empire!

This may be the first time my "Page 123" has been an above-the-chapter-title teaser. Dynamic!

~RP

[Follow Rex Parker on Twitter]

Paperback 311: Who? / Algis Budrys (Pyramid G339)

Paperback 311: Pyramid G339 (1st ptg, 1958)

Title: Who?
Author: Algis Budrys
Cover artist: Robert V. Engel

Yours for: $10


Best things about this cover:

• Hard to snark — this is one of my favorite scifi covers of all time. That creeptastic design on the robot face is fantastic. Looks like Crow from "MST3K," but way more disturbing.
• The hands on this thing are probably the second-most striking element — they look remarkably alike; very expressive. Amazing articulation in that prosthetic hand. Looks like he might have a large sausage or loaf of bread in those clown trousers of his. Very alarming — and he's coming Right At You — into the heart of the "Allied Sphere." Searchlight + barbed wire completes the dystopic effect. Great design all around.

Best things about this back cover:

• See, this designer knew what the real money shot was on that front cover — The Hand!
• Seriously, I have to give it to Pyramid on this one. The blurbs are gripping and unhilarious. This book may actually go onto my "Read It Someday, You Lazy Oaf" pile.

Page 123~

"But I'll tell you something, Mr. Rogers—" He turned suddenly and faced across the barn. The light was behind him and Rogers saw only his silhouette—the body lost in the shapeless, angular drape of the coveralls, the shoulders square, and the head round and featureless. "Even so, people don't like machines. Machines don't talk and tell you their troubles. Machines don't do anything but what they're made for. They sit there, doing their jobs, and one looks like another—but it may be breaking up inside. It may be getting ready to not plow your field, or not pump your water, or throw a piston into your lap. It might be getting ready to do anything—so people are afraid of them, a little bit, and won't take the trouble to understand them, and they treat them badly. So the machines break down more quickly, and people trust them less, and mistreat them more. So the manufacturers say, 'What's the use of building good machines? The clucks'll only wreck 'em anyway,' and build flimsy stuff, so there're very few good machines being made any more. And that's a shame."

Possibly the best "Page 123" excerpt I've ever offered up. Congrats to Algis Budrys for bringing class and dignity to this blog. Next week, more boobs and bad writing, I promise!

~RP

[Follow Rex Parker on Twitter]