Paperback 989: Once Upon a Dreadful Time / ed. Alfred Hitchcock (Dell 6622)

Paperback 989: Dell 6622 (1st ptg, 1964)

Title: (Alfred Hitchcock's) Once Upon a Dreadful Time (Dell 6622)
Editor: Alfred Hitchcock
Cover artist: Banbury (one name! stylish)

Estimated value: $8-10
Condition: 8/10

Best things about this cover:

• Alas, poor Hitchcock...
• Nice self-sideeye
• Not sure why he's hiding a skull ... from ... himself ... but I'll admit it all looks super-cool.

Best things about this back cover:

• Donald Westlake completists will want to be sure to pick this up
• Contributors are indeed exclusively male. Women wrote a lot of horror / crime / suspense stories, so the men-only thing here is at least a little weird.
• The whole Hal Ellson / Hal Elison thing is so weird that his name is spelled both ways in this book (in table of contents, it's ELLSON—which is correct. Here's the NYT also getting it wrong in 1955). And then there's this, from wikipedia:

Harlan Ellison cites Ellson's work as having inspired his own interest in juvenile delinquency — an interest which led directly to the writing of Ellison's first novel, Web of the City. Ellison has also stated that in the earliest days of his career as a writer, he was often mistaken for Ellson writing under a pseudonym — and that decades later, when Ellison had become much more known and Ellson's career had waned, Ellson was often mistaken for Ellison writing under a pseudonym.

 Page 123~ (from "Anatomy of an Anatomy" by Donald Westlake)

At three o'clock on the dot, she heard a thump from above, and knew it was the head.

Westlake is just a champ and that's all there is to it.

~RP

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Paperback 737: Duke / Hal Ellson (Popular Library 219)

Paperback 737: Popular Library 219 (5th ptg, 1950)

Title: Duke
Author: Hal Ellson
Cover artist: Rudolph Belarski

Yours for: $12


Best things about this cover:

• Her "whatever" face is the best.
• Black Joan Crawford could take you or leave you.
• Shoes! Why does everyone on old paperbacks look so damn cool. Even goofy people look cool. Even Flat-butt No Face here has a certain simple, shabby style I admire. 
• Juvenile delinquency! Dope! Smoking (literally) hot girls who could give a damn! This book has it all.
• The one word I think of when I see Belarski's artwork: creamy. 

Best things about this back cover:

• Love the advisory at the end there! "If you barf easy, or don't, like, care about important stuff, then fuck off already." This book has the same attitude as the lady on the cover.
• Marijuana. I like when books name their drugs. Even though this is a 5th printing, the great condition, the JD (juvenile delinquency) theme, and the drug references make it super-sweet / collectible. 
• "Cash before pleasure"? Come on, you gotta up your slang game if you're gonna run the streets. "Money before honeys"? "Dough before ho"? "Cheddar before girls in tight sweaters"? Something.

Page 123~

"You got any sticks on you?" Chink said.
"Yeah, I got some. You want one."
"I could use it."
I gave Chink one. I passed some around to the others. I lit one for myself. I needed that. We all got to be feeling gay then. 

Aw, yeah … [cue sexy music] …

~RP

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Paperback 562: Summer Street / Hal Ellson (Ballantine Books 27)

Paperback 562: Ballantine Books 27 (PBO, 1953)

Title: Summer Street
Author: Hal Ellson
Cover artist: Robert Maguire

Yours for: $12

Best things about this cover:

• "Aw, gee whiz, Summer. I didn't know this was your street. OK, OK, I'll leave. Golly, it's gettin' so's a fella can't practice his Fonzie poses nowheres!"
• "Aw, gee whiz, it's Miss McGillicuddy. Now she's gonna know I'm playin' hooky. OK, Billy, c'mon, get it together. Just play it cool. No eye contact. Stare broodingly into the distance and she'll just walk on by ..."
• "Billy, get back in the house. Your dungarees need washing."
• I believe "emotional awakening" is '50s code for "awkward, furtive sexual experiences."
• "SHE ... was an angel in lime green chiffon. HE ... was a telepath who could move trash cans with his mind. Together, they ruled ... Summer Street!"
• The great Bob Maguire! This cover is from his ... lesser period.

Best things about this back cover:

• "Well, go on. You said you'd die for me, so ... don't just sit there. Here, I'll give you a push. 1, 2, 3 ..."
• "The water sure is murky, Gloria. Murky like our hearts on account of we're star-crossed but I'm from the wrong side of the..." "Shut up, Billy. You gonna jump or what?"
• "His mother's confining affection..." — uh oh. "Mom, I need a real girl. One I'm not related to."
• I can't believe this cover doesn't tell us the book is "frank." "Unusual honesty and understanding" is sooooo something a "frank" story would contain.

Page 123~

In another moment she would fling herself upon him if he did not read the note. He lowered his eyes and found he had guessed right, though the message was not worded as expected. Simply and directly, it said: "Do you want to? Yes or no?"

Long story short—he does want to, and there follows one of those 1950s sex scenes that is all indirection and euphemism, all "avalanche of fire" and "plunging creature" and "swelling within himself" and "tremendous surge as if all that was himself had burst." The best part is that he comes first, but she won't stop until she comes too, so of course: "It was then that fear enveloped him again." No wonder he has that traumatized look on his face. "My genitals and I need some time alone, Miss McGillicuddy."

~RP

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