Paperback 1039: The Bridge Over the River Kwai / Pierre Boulle (Bantam HP4391)

Paperback 1039: Bantam HP4391 (35th ptg, 1970)

Title: The Bridge Over the River Kwai
Author: Pierre Boulle
Cover artist: Barye Phillips

Condition: 8/10
Estimated value: $5

Best things about this cover:

• My wife actually spotted this one on the $1 cart outside the bookstore. My initial immediate response was "meh" but then I held it and noticed a. the condition (excellent) and b. the quality of the art, which really is exquisite. 
• I love how Bantam has let the cover breathe. You can see how they might've used the painting differently, maybe cropping it differently and putting text (title / author) in or on top of the red sky. But this way, the painting really feels like a painting, and that sky is allowed to take up space and create its mood. The composition is also arresting.
• Me: "I know this artist ... Kalin? ... Hooks? ... [looks very closely at painting] oh, man, it's Barye Phillips!" Phillips signs simply "Barye," which you can see just to the left (your left) of the Japanese soldier's hand. I'm used to seeing girl art / crime fiction scenes from him, so this was cool and unexpected. 

Best things about this back cover:

• Again: rooooom for my eyes to breeeeeathe. I like.
• No need to waste time (i.e. words) when dealing with a book this well known (from the 1957 movie). Both front and back covers really do go in for more of a museum treatment than a typical book promo treatment.

Page 123~

Never before had he been conscious of that feeling of power and conquest which absolute isolation affords, whether on a mountaintop or in the bowels of the earth.

~RP

[Follow Rex Parker on Twitter and Tumblr]

Paperback 910: The Key / Junichiro Tanizaki (Signet D2073)

Paperback 910: Signet D2073 (1st ptg, 1962)

Title: The Key
Author: Junichiro Tanizaki
Cover artist: [gah, can anyone make out that signature underneath the noodle bowl?!]

Estimated value: $8-12

Best things about this cover:

• Font Victory! That title is smashing.
• In case you could tell the people on the cover are Japanese ... chopsticks!
• This painting is beautiful yet boring. It really really wants you to believe that the hardcore marital boning inside is tasteful.

Best things about this back cover:

• "It leaves one both roused and afraid." Uh ... TMI, "The Reporter."
• Mid-century was a big time for arguing that books about Doing It could be "art." Like, you had to justify it because of stupid hypocritical censorious America. Note the critical armature on this book's covers. Some kind of Chatterley-related hold-over. "If critics like it, then it's OK to jerk off to."
• Love the author photo. "Just take the fucking picture. You weary me."

Page 123~

All through March I'd written that I was still stubbornly defending the "last line," and I did my best to convince him of it. In fact, it was on March twenty-fifth that I surrendered that last "paper-thin" defense.

It seems like she is talking about "anal sex" but I "can't be sure."

~RP

[Follow Rex Parker on Twitter and Tumblr]

Paperback 641: The Blue Kimono Kill / Walt Sheldon (Gold Medal k1546)

Paperback 641: Gold Medal k1546 (PBO, 1965)

Title: The Blue Kimono Kill
Author: Walt Sheldon
Cover artist: Uncredited

Yours for: $15


Best thing about this cover:

• "Honey, we need to talk. Don't be made but ... it's about your lipstick."
• Mmm, chick-flavored.
• And the winner of this cover is: The Lantern.

Best things about this back cover:

• God save me from a text-only back cover, ugh.
• "But Marlin's academic career didn't last long. For, you see, Marlin was a fish."
• Adjective of the Day: "Zen-spouting."

Page 123~

"You strike me as a man who could be brave, Marlin, in, let us say, the face of crude torture."

"Let us not say, and then say that we did," countered Marlin.

~RP

[Follow Rex Parker on Twitter and Tumblr]