Paperback 1086: Pipe Night / John O'Hara (Bantam H3104)

 Paperback 1086: Bantam H3104 (1st Bantam, 1966)

Title: Pipe Night

Author: John O'Hara

Cover artist: Avati or a good impersonation thereof

Condition: 7    

Value: $7

[Autumn Leaves, Ithaca, NY, May 2024]

Best things about this cover: 

• Absolutely insane depth-of-field. Amazing that you can get so much dramatic weight out of a dude that tiny. Also, I like that I (apparently) *am* the dude. That is a mirror, right? Hey, I look good in a tux! (a claim that cannot be disproven by this cover—the power of tininess!)
• I like the subtle nightmarish quality of this cover. Innocuous situation, but it's floating in pure dreamlike darkness. Also, the mirror looks like it might be a portal to hell. Is that a sexy over-the-shoulder glance, or a mischievous "I'm going through the Infernal Door to live with Satan now" glance.

Best things about this back cover: 

• Tag yourself, I'm FURTIVE ADULTERERS (jk, honey)
• Having fun saying FURTIVE ADULTERERS five times fast
• Public Lies and Private Hells—always a winning formula

Page 123~

[from "Where's the Game?"]

"I'm a salesman."

"Selling what? Papers?" said Wilkey.

"Furniture," said Garfin.

"Furniture. Well, Garfin, I don't want any," said Wilkey.

"That's your privilege," said Garfin.

"That's right. It's my privilege. And you know what else is my privilege? My privilege is I don't like your kisser."

If this were a western, that would be the line that cleared the saloon...

~RP

[Follow Rex Parker on Twitter and BlueSky]

Paperback 1071: Perilous Passage / Arthur Mayse (Pocket Books 727)

Paperback 1071: Pocket Books 727 (1st ptg, 1950)

Title: Perilous Passage

Author: Arthur Mayse

Cover artist: James Bingham

Condition: 7/10

Value: $8-10

Best things about this cover:

• Reader Larry D. just sent me a whole box of choice paperbacks. Out of the goodness of his heart. In the interest of, let's say, science! I am over the moon. We will all be the beneficiaries of his generosity, as I showcase books from his donation in the coming weeks, starting with today's stunner—a chaotic close-up composition featuring nautical mayhem and what appears to be a pretty severe case of mal de mer. Or maybe that guy just swooned. Maybe he's afraid. Can we call that hand on his brow a "Fear Hand"? I think we can. I think I will.
• "How was I to know when I broke my boat mirror that my luck would turn so bad...?"
• The gunwoman here seems like a plucky, take-charge kind of gal, I love her. The gun looks a little warped or wonky somehow, but her face! It's all business. I would not f*** with someone making that face.
• I like how you have to kind of sit with this painting for a while to figure just what the hell is going on, which way is up, who's doing what, etc. It really ... unfolds, the more you look at it. 
• Just noticed that my man appears to be tickling her underboob, which is a funny thing to do when your life is in danger, but people cope with stress in all kinds of ways, who am I to judge?

Best things about this back cover:

• typewriter font...
• "Clint half-slid"—classic sap behavior: always half-sliding, never all-the-way sliding. Commit to something, for once in your life, Clint!
• This book should be titled Bring Me The Head of Clint Farrell!
• Devvy! Wow now I love her more. It's like the Devil and a Chevy had a gun-wielding baby!

Page 123~

"Nuts!" Clint told her. "Look, come down or I'm coming up. All you need is a banana in your fist."

Sure, Clint has a pretty limited, primarily food-based vocabulary, but what a charmer! Feel free to use the line, "Is that a banana in your fist, or are you just glad to see me?" next time the occasion seems to warrant it. [I should add that I almost abandoned Page 123 for Page 122, the first words of which are, "... sucked the boom stick down by its butt ..."]

~RP

[Follow Pop Sensation on Instagram @popsensationpaperbacks]

Paperback 943: Mourn the Hangman / Harry Whittington (Graphic 46)

Paperback 943: Graphic 46 (PBO, 1952)

Title: Mourn the Hangman
Author: Harry Whittington
Cover artist: Uncredited

Estimated value: $20-25
Condition: 5 (*only* because of water stain / slight warp—it's tight and square and cover is Amazing)

Best things about this cover:

• Pulled this one out of Aunt Agatha's crime/mystery bookstore in Ann Arbor. It was an impulse buy. Their idea of a "point-of-purchase display" is an authentic vintage paperback bookshelf (which I drooled over) choked to the gills with vintage paperbacks. So much nicer than the 5-Hour Energy Drink point-of-purchase displays you get at most bookstores ...
• My first thought on seeing this cover: Robert Ryan is pointing a gun at me!
• My second thought on seeing this cover: That is the greatest Fear Hand I've ever seen.

Best things about this back cover:

• And *there*'s the condition problem. But WhoTF cares about the back cover? This book is otherwise gorgeous.
• Excuse me, gotta do this: [clears throat] ... "STELLLLLAAAAA!"
• Whoa. Dark revenge narrative. I'm in.

Page 123~

Clinton Edwards opened the door of his Seminole Heights home. When he saw Blake, he seemed to go lax all over.

"My bowels!" he cried, probably.

~RP

PS bonus interior! (I really should start cataloguing interior design/illustration as well)

[Follow Rex Parker on Twitter and Tumblr]

Paperback 922: Scandal at High Chimneys / John Dickson Carr (Bantam A2155)

Paperback 922: Bantam A2155 (1st ptg, 1960)

Title: Scandal at High Chimneys
Author: John Dickson Carr
Cover artist: Stanley Zuckerberg

Estimated value: $7-12

Best things about this cover:

• You know she's a vampire 'cause you can't see her butt crack in the mirror.
• Seriously, I love love love this cover. It's like she got caught going at it with the carriage driver, so she grabbed his uniform to protect herself from the prurient eyes of "sanctimonious Victorian London," only to re-eroticize the whole shebang by standing with her backside to the mirror like that. It's a metaphor for (alleged) Victorian prudishness—an injunction to cover up that only ends up foregrounding the whole naughty business.
• Is that a cane? It's ... quite long. And yes, that is what she said.

Best things about this back cover:

• Bats!
• World's creepiest author close-up: "Mmmm. Fly my pretty bats, fly."
• Ablest was I ere I saw Tselba.

Page 123~

"Bale up, grandpa! What's a yard o' white satin among friends?"

I'm begging you, pleading with you, to make "Bale up, grandpa!" the "Where's the beef?" of 2016.

~RP

[Follow Rex Parker on Twitter and Tumblr]

Paperback 474: The Third Bedroom / Brenda Baker (Fabian Z-136)

Paperback 474: Fabian Z-136 (PBO, 1960)

Title: The Third Bedroom
Author: Brenda Baker
Cover artist: Uncredited

Yours for: $19

Best things about this cover:

• There were three things Brad loved more than anything else: bright yellow dress shirts, mirrored walls, and women covered in fondant.
• These curtains make me laugh every time I look at this book. It's like the artist just pawned off the design concept on Mrs. Jenkins' 1st grade art class.
• That woman is either a yoga master or has dislocated her shoulder. You try putting your elbow behind your head. Go ahead, I'll wait.
• The mirror symbolizes Brad's dual identity: the gentleman, and the slightly more boring gentleman.

Best things about this back cover:

• Feel the sadness.
• Fabian (and Saber and Vega) had lots of legal troubles due to the highly sexual and controversial content of many of their books. Publisher Sanford Aday and partner Wallace de Ortega-Maxey would eventually be convicted in U.S. District Court (in Western Michigan) of trafficking in obscenity. Almost all Fabian, Saber, and Vega books in the late 50s / early 60s have legal news as part of their end material. For instance, this book contains a report on the publisher's own recent court victories, and a long discussion of recent legal victories for booksellers all over the country. This is yet another reason I love the Aday paperbacks, cheesy and low-rent as they are: they defied the moral hypocrisy of their day and challenged the legal system in ways that (ultimately) mattered. You're not going to have much problem getting some high-minded literary professional into court to defend "Ulysses." Good luck getting the same guy to defend "Sex Life of a Cop."

Page 123~

I fully believed then that God spoke to me, but it was like when your conscience tells you something, you're not too sure of what it means. But I calmed down rather quickly, and after I had taken my seat upon the divan I took a cigarette and lit it.

And ye, verily, God said unto her, "Betty ... you must go to Flavor Country."

~RP

[Follow Rex Parker on Twitter and Tumblr]