Paperback 1033: The Black Mass of Brother Springer / Charles Willeford (Black Lizard nn)

Paperback 1033: Black Lizard (no number) (1st ptg, 1989)

Title: The Black Mass of Brother Springer
Author: Charles Willeford
Cover artist: Kirwan

Condition: 9/10
Estimated value: $35-40

Best things about this cover:

• An interesting variation on the "Killer's POV" cover. Hands that would normally be coming to strangle her are instead filled with Bible.
• Those thumbs get creepier the longer you stare at them.
• Willeford is a master. I have read stuff where he has written really interestingly and provocatively about race (and racism). I have no idea what kind of territory this book gets into, though...

Best things about this back cover:

• He was white. She was ... ? So much white male gaze here. No idea if the book critiques or revels in this whole way of seeing blackness. I'd guess the former. I really should read it.
• Jim Thompson is the author that got me into vintage paperback collecting (long story I'll tell some other time, when one of his books comes up ... or maybe I've told it already—I've been at this blog a long long time and there's lots I've forgotten about what stories I have and haven't told). Anyway, the irony here is that I don't care for Jim Thompson any more. He was the gateway ... but now the gateway has dissolved, or become irrelevant, or something. Weird how these things happen.
• I think my next collecting effort will involve these '80s Black Lizards, before the imprint was bought out by Vintage (those early Vintage/Black Lizards were part of the whole Jim Thompson Gateway To Paperbackville...)

Page 123~

The shadow I stared at was not a part of the regular inventory I saw every day.
      And then the shadow stretched.

~RP

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Paperback 1019: The Primitive / Chester Himes (Signet 1264)

Paperback 1019: Signet 1264 (PBO, 1956)

Title: The Primitive
Author: Chester Himes
Cover artist: [Tony Kokinos] (signature top left)

Condition: 6.5/10
Estimated value: $30

Best things about this cover:

• White lady trying hard not to think about centuries of brutal racism and her own complicity therein ... I assume.
• There's drunk, there's very drunk, and then there's "I only made it half way through taking my shoes off" drunk
• The red of the red shoes is very red against the non-color of everything else. Echoes the title font color. I like.
• This novel was heavily cut for the US audience, which, like, couldn't deal, I guess. It was published right before Himes made the turn into hardboiled crime fiction with his Coffin Ed Johnson and Gravedigger Jones series (so great)

Best things about this back cover:

• The End of a Primitive was the original title of the book (the title used when the book was finally published in unexpurgated versions, 40+ years later)
• So the white woman is just white but the "Negro man" is "embittered"? Normally I don't beg for more adjectives, but come on.
• Van Vechten tryna get cute with that "white heat" shit, I bet. He's a white dude who wrote a book called Ni**er Heaven. A key figure in white people's "discovering" Harlem. I highly recommend Mat Johnson's current comic, Incognegro: Renaissance, which is set in Harlem during the Harlem Renaissance and features a Van Vechten-like figure in the first issue. Good stuff.

Page 123~

"Oh, sure," he said, thinking, "I like de big gut, do you like de big gut?"

~RP

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Paperback 1003: Corinne / King Coral (Bee-Line 175)

Paperback 1003: Bee-Line 175 (PBO, 1967)

Title: Corinne
Author: King Coral
Cover artist: photo cover

Condition: 7/10
Estimated value: $25-30

[Newest addition to the Doug Peterson Collection]

Best things about this cover:

• Ariel? ... What happened?
• I'm not familiar with the various forms of cantilevering and what not that are used in women's undergarments but that top seems physically impossible
• LOL King Corals' fancy af signature stamp. "I'm an icon! I'm a brand name!" he said to himself as he sat behind the wheel of his Toyota Tercel in the parking lot at the West Covina Safeway ...
• OK that fabric is pretty hot. I would wear a tie with that pattern for sure.

Best things about this back cover:

• "I quit!" said American everyman Pete Diamond. "Sure, whatever," replied his boss.
• TEXAS is a state. NEW ORLEANS is a city. MIAMI ... is in a smaller font for some reason. THE COVER DESIGNER should be fired.
• Pete Diamond sounds like a sex addict / serial killer. I don't know what's protecting Corinne, but she's lucky.

Page 123~

She was laughing now. Suddenly and loudly she'd broken into laughter as though I'd pulled the world's funniest funny.

"Is this how words work?" Pete funnied. "I have nil idea!"

~RP

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Paperback 999: All Shot Up / Chester Himes (Ace T-434)

Paperback 999: Avon T-434 (PBO, 1960)

Title: All Shot Up
Author: Chester Himes
Cover artist: Uncredited (!!) (update: appears to be work of George Ziel)

Condition: 7/10
Estimated value: $65-80

Best things about this cover:

• Gah, so great. So so great. Multiple scenes of hot hardboiled greatness. Tough-guy mug, sexy naked lady, trenchcoat gunfight ... bar! All the good things.
• Chester Himes is fantastic. Coffin Ed and Grave Digger are unique and important figures in the history of detective fiction. Badass *and* hilarious. Their dialogue is amazing, as are their razor-sharp observations on race relations in the city. Highly recommended.
• Either that dude is holding the wrong end of the cigarette or he's holding a very tiny test tube.

Best things about this back cover:

• Big on alliteration, this copywriter. First babes bourbon and bullets, now hailing in Harlem...
• "Eight—Count 'em, eight—corpses." Eight, OK, I believe you, eight. Jeez. Don't get so defensive.
• "Skidding on ice and breathing fire"—which Game of Thrones book was that?

Page 123~

"I'd rather be bit in the rear by a boa constrictor than sitting here waiting for something to happen, and I can't even guess what," he complained bitterly.

It's a boa constrictor ... I mean it can bite, sure, but ... it's kind of known for ... the other ... oh nevermind.

~RP

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Paperback 969: Half-way to Hell / Serg Ross (France F41)

Paperback 969: France F41 (PBO, 1963)

Title: Half-way to Hell
Author: Serg Ross
Cover artist: photo cover

Estimated value: $20-25
Condition: 7/10

Best things about this cover:

• Feels closer than that.
• It's like he emerged from the sea just to have his soul sucked out of his face.
• The vibe here is so "Exploitation" that it makes me a little uncomfortable. The horrid decor. The cheesy plaid dude. The alcohol. Nothing good is happening here.
• It's a fold-out cover, but not a continuation of the cover picture (thank god). Not gonna show it, as it is a photo of a random naked woman and you can see her nipple and while I know none of you care and I don't care, I've had my website(s) blocked for harmless stuff like that before. Also, the photo continues the ick vibe of this cover, and I think we've had enough. . . . wait, I can just block out the "offending" nipple ... hang on ... 

Gratuitous nude photo! Enjoy. Or don't.

And now the back cover:

Best things about this back cover:

• I am not "highly stimulated" by any of this, especially with that damn monster-kiss hovering over everything.

Page 123~

"That's the bartendah, I take it?" Tom asked, pointing obviously at Adam. "Those niggahs are always late."

Ugh. This book is the worst. Booo!

~RP

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Paperback 956: The Big Gold Dream / Chester Himes (Avon T-384)

Paperback 956: Avon T-384 (PBO, 1960)

Title: The Big Gold Dream
Author: Chester Himes
Cover artist: [George Ziel]

Estimated value: $50-60
Condition: (9+/10)

Best things about this cover:

• She has that face I get when I look at the internet for too long. But she has better lips. And better hair. In that she actually has hair.
• Love the Big Gold Font
• I'm not usually a big fan of the multi-scene cover, largely because it makes all the visual elements too small to have the kind of dramatic impact I like, but this particular iteration is nicely handled. Captures the darkness and brightness (and architectural elements) of the city really nicely.
• This book is in indescribably great condition. Shiny. Square. Unfaded. Tiny bit of wear to spine and very faint warp toward the tippy top of the book are the only things keeping this from 10/10 condition rating.
• Chester Himes is a really important writer—possibly the most important black crime fiction writer in US history. The fact that I own a first-edition Himes in *this* condition is one of the crowning glories of my 20-year collecting addiction odyssey.

Best things about this back cover:

• Those numbers slips are Fantastic. The rest, blargh.
• Does have a compelling opening line, though. I want to dream about pies exploding with 100 dollar bills!
• "The smell of fresh violence filled the air" is one of the more haunting lines I've read on a back cover.
• Coffin Ed Johnson and Gravedigger Jones remain the best-named detectives in crime fiction history. Hercule shmercule.

Page 123~

Slick turned his stare back to Susie. "You're not very bright, rockhead," he said. "He wants to cut himself a slice of our pie."
"He's going to get more slices than he's looking for," Susie threatened.

Ooh, double entendre. Good one, Susie.

~RP

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Paperback 955: The Way It Is / Curt Flood (Pocket Books 78188)

Paperback 955: Pocket Books 78188 (1st ptg, 1972)

Title: The Way It Is
Author: Curt Flood
Cover artist: photo cover

Estimated value: $20-30
Condition: 7/10

Best things about this cover:

• We now interrupt this cover to bring you the telekinetic powers of Curt Flood!
• It's like Curt willed the ball to stop with his mind. "If you want the game to start again, I have some ... demands."
• Curt Flood with the rarely seen Self-Photobomb!
• This cover seems both ill-conceived (you're blocking the shot!) and genius (Curt Flood will not be denied!)
• Vida Blue's intro is good. Also, Vida Blue is one of the greatest baseball names of all time.

Best things about this back cover:

• Man, people are throwing a lot of shade at Jim Bouton.
• Back when a "sensitive, artistic black man" was apparently some kind of wonder to the NYT...
• Miguel Cabrera's breakfast costs $100,000. All ballplayers should tithe to the Church of St. Flood.

Page 123~

Having established the plan unilaterally, without bargaining of any kind, they felt free to modify it at will. Above all, they felt free to keep the TV and radio money for themselves. This disturbed the players.

~RP

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Paperback 909: Music out of Dixie / Harold Sinclair (PermaBooks P203)

Paperback 909: Perma Books P203 (1st ptg, 1953)

Title: Music out of Dixie
Author: Harold Sinclair
Cover artist: Uncredited :(

Estimated value: $10-15

Best things about this cover:

• "Well you ain't no John Tesh, I know that."
• There are 31 flavors of Disappointment on that woman's face.
• I like this painting a lot. Perfectly positioned burning cigarette is a nice touch.
• I love his shirt. I want his shirt. I also want to wear a sleeve garter for no good reason.

Best things about this back cover:

• Dade Tarrant! LOL, sure, that's a plausible name, why not?
• I hope his business cards read: "Dade Tarrant / Slum-Bred Pianist"
• Raffish! Is that like "rakish"? [looks word up...] Hey, look at that: first synonym. So I *kinda* knew what it meant...

Page 123~

"Oh, Jesus lover, let's don't have that routine at this time o' day. I can't take it."

This expresses a sentiment I feel on a regular basis.

~RP

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Paperback 875: Live and Let Die / Ian Fleming (Perma Books M-3048)

Paperback 875: Perma Books M-3048 (1st ptg, 1956)

Title: Live and Let Die
Author: Ian Fleming
Cover artist: James Meese

Estimated value: $75-100

Best things about this cover:

• The world's most ruthless diving coach doesn't want to hear your bullshit about the Chinese judge having it in for you.
• "Scrooge McDuck had to go on vacation. You deal with me now."
• You'd think with all those gold coins, he could afford a nicer office. Something less in-a-cave.
• Just in case you didn't notice: this cover is all kinds of fabulous.

Best things about this back cover:

• Tee-Hee. No, I'm not laughing, that's his name. His name is Tee-Hee. Tee-Hee. OK, now I'm laughing. Keep up!
• No reaction shot from Bond. I assume he just stiff-upper-lipped it, then bagged a leggy stewardess/assassin, then had a martini.
• "Take Mr. Bond to Central Perk … introduce him to Ross and Phoebe. You're job's a joke, you're broke, your love life's DOA, Mr. Bond."

Page 123~

Soon they were over Miami and the monster chump-traps of the eastern seaboard, their arteries ablaze with neon.

Monster chump-traps! Nice phrase, Mr. Fleming.

~RP

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Paperback 813: I Always Wanted to Be Somebody / Althea Gibson (Pyramid G478)

Paperback 813: Pyramid G478  (1st ptg, 1960)

Title: I Always Wanted to Be Somebody
Author: Althea Gibson (ed. Ed Fitzgerald)
Cover artist: Robert V. Engel (aka 'Engle' for some reason)

Yours for: $18


Best things about this cover:

• Not the most dynamic painting, but striking and endearing, as straight portrait painting goes. Rare, if not unique, in my collection for featuring (or even mentioning the existence of) a female black icon.
• I normally squirm at handwriting fonts, but this one is somehow lovely. Nice change of color on "Somebody."
• I wish this cover (or the back cover) featured more, uh, tennis.

Best things about this back cover:

• There's something at least a little insulting about a back cover photo that showcases the fucking queen, while the ostensible subject of the book is literally marginalized, with her back turned. Also, I resent the idea that shaking hands with the queen makes you "somebody." I want the triumphant, trophy-holding shot!
• This back cover actually makes the book sound fantastic. Minus the "jungle" / "Harlem" connection. That, I could do without. I realize "Asphalt Jungle" is a book / movie title, but still…
• Oooh, *hard* liquor! Wow, that *is* tough. No Bud Light Lime-a-Ritas for her!

Page 123~

CONGRATULATIONS. EDNA CRIED WITH JOY. I KNEW YOU'D DO IT. SUGAR RAY.

~RP

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Paperback 804: The Grass is Singing / Doris Lessing (Bantam 1045)

Paperback 804: Bantam 1045 (1st ptg, 1952)

Title: The Grass Is Singing
Author: Doris Lessing
Cover artist: Fletcher Martin

Yours for: $15


Best things about this cover:

• OK, there are several remarkable things about this cover, but I'm somehow most struck by the "Painted by" credit! Attribution! Credit! So useful! Why aren't all paperback covers like this!?
• If you want an iconic picture for "The White Gaze," Here You Go!
• Doris Lessing won the Nobel Prize in Literature, so I assume the writing quality here is a grade or two above "Mandingo."

Best things about this back cover:

• "Mounting tensions" WINK WINK
• "The one sin no white woman in Africa dares" … based on the cover, I'm betting on "Sloth."
• Technically "Brave New World" had already come, twenty years earlier. Still, I love how excited this book is.

Page 123~

Then followed a time of dull misery: not the sharp bouts of unhappiness that were what had attacked her earlier. Now she felt as if she were going soft inside at the core, as if a soft rottenness was attacking her bones.

The horrible days before Boniva.

~RP

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Paperback 737: Duke / Hal Ellson (Popular Library 219)

Paperback 737: Popular Library 219 (5th ptg, 1950)

Title: Duke
Author: Hal Ellson
Cover artist: Rudolph Belarski

Yours for: $12


Best things about this cover:

• Her "whatever" face is the best.
• Black Joan Crawford could take you or leave you.
• Shoes! Why does everyone on old paperbacks look so damn cool. Even goofy people look cool. Even Flat-butt No Face here has a certain simple, shabby style I admire. 
• Juvenile delinquency! Dope! Smoking (literally) hot girls who could give a damn! This book has it all.
• The one word I think of when I see Belarski's artwork: creamy. 

Best things about this back cover:

• Love the advisory at the end there! "If you barf easy, or don't, like, care about important stuff, then fuck off already." This book has the same attitude as the lady on the cover.
• Marijuana. I like when books name their drugs. Even though this is a 5th printing, the great condition, the JD (juvenile delinquency) theme, and the drug references make it super-sweet / collectible. 
• "Cash before pleasure"? Come on, you gotta up your slang game if you're gonna run the streets. "Money before honeys"? "Dough before ho"? "Cheddar before girls in tight sweaters"? Something.

Page 123~

"You got any sticks on you?" Chink said.
"Yeah, I got some. You want one."
"I could use it."
I gave Chink one. I passed some around to the others. I lit one for myself. I needed that. We all got to be feeling gay then. 

Aw, yeah … [cue sexy music] …

~RP

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Paperback 704: Harlem Underground / Ed Lacy (Pyramid R-1220)

Paperback 704: Pyramid R-1220 (PBO, 1965)

Title: Harlem Underground
Author: Ed Lacy
Cover artist: Harry Schaare

Yours for: $13


Best things about this cover:

• Sleeper hold!
• Interesting variation on the noir street scene. You got your bar and your rain-slicked streets (or so I imagine), but apparently in Harlem there are brown/purple overtones, sliced through with neon red. Interesting effect.
• Not one but *two* floating heads. Highly unusual.
• I like how the big floating head appears to be looking down on some earlier version of himself, going "Damn, did I do that? That's cold."
• You can see Schaare's signature right under the big head's right eye. Unless that says "Espresso." It's pretty smudgy.

Best things about this back cover:

• Wait, *I*'m a rookie cop? But I already have ... OK, fuck it, sure, I'm in.
• As street names go, "Purple Eye" seems kind of limp.
• There's something quaint about how much terror the word "H-Bomb" apparently packed in 1965. Also, do H-Bombs have fuses? Serious question.

Page 123~

Breathing deeply I not only wanted to get out of Harlem, I wanted to take a rocket away from our mixed-up planet. 

Again with the cold war / space race fantasies. This book is adorable.

~RP

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Paperback 688: Never to Belong / James Williams (Fabian Z-135)

Paperback 688: Fabian Z-135 (PBO, 1960)

Title: Never to Belong
Author: James Williams
Cover artist: Uncredited

Yours for: $50 (actually, Not for Sale — don't think I'm ready to part with this one)


Best things about this cover:

• Pristine book from my favorite sleaze paperback publisher—Sanford Aday (publishing out of Fresno CA before eventually being convicted of trafficking in obscenity) was always trying to be sensational with the sexual themes of his books. He published a lot of stuff dealing with homosexuality, cross-dressing, miscegenation, etc., some it written by women authors, black authors, etc. He Was So Unusual. As I've told you before, he used the pages of his books to wage a battle against censorship—not just in the themes of the novels he published, but in the little essays and clippings he'd include in the backs of his books detailing court victories he or others had won against the government. In this book, he has forgone much of that back matter but still has a little note to his readers asking for feedback and proclaiming, "we are going to keep on giving you what you want to read as long as it is within our power to do so." He probably knew his publishing days were numbered. I just love the idea of waging a one-man battle for sexual openness and tolerance using only the medium of ... the sleaze paperback. He's kind of my hero.
• Not sure I've seen the word "mulatto" on a cover before. Remember when we subcategorized black people based on skin color?! Good times.
• Love the way the woman's skirt flies up. Fabian cover paintings are not generally known for their, uh, quality, but I like the suggestion of motion here. 
• Also, bald dude's face is Priceless.

Best things about this back cover:

• Awkwardest ellipsis ever.
• This is surely the greatest book ever about mule-skinning, whatever that is. Ooh, turns out a mule-skinner is just someone who drives mules, also called a "muleteer" (hmmm, this puts "Mouseketeer" in a whole new light) or "arriero."
• Crossword folks will be excited by this new cluing possibility for MAE.
• "High-towning it" is a great phrase I would like to bring back. I shall use it every time I'm determined to raise me a whole bunch of hell.

Page 123~

Louisiana was a rough place for a colored man to get into trouble with the law.

Hashtag understatement.

~RP

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Paperback 677: Scottsboro Boy / Haywood Patterson and Earl Conrad (Bantam 920)

Paperback 677: Bantam 920 (1st ptg, 1951)

Title: Scottsboro Boy
Author: Haywood Patterson and Earl Conrad
Cover artist: Joseph Hirsch

Yours for: $9


Best things about this cover:

• Tagline should probably be a bit more specific: "The Shocking Truth about Black Men in Prison on Charges of Raping White Girls in Ultra-Racist Alabama"
• In case you didn't know, this case is super-famous in the history of Civil Rights.
• I love how this is just a straight-up portrait, and all the drama is in the background details—white lawman with a club; "Alabama" and "South(ern?)" partially blocked by man's head; fittingly Black & White rail crossing guard sticking straight up; etc.
• I like his suspenders.

Best things about this back cover:

• I am unsure how I feel about the characterization "Jungle Conditions"—sounds sympathetic, but "jungle" is one of those words that hovers disparagingly around black people. All the time. I've been deep into 1923 newspapers this month, and I'm more familiar than I'd like to be with the vast and colorful language of racism.
• Interesting to have an Alabama paper blurb this book.
• Like the shadowed font on "Scottsboro Boy" here.

Page 123~

Merle had a funny sense of justice. He didn't want to see anybody injure anybody else. He'd kill the guy that injured the other one.

From now on, violence in the name of non-violence will be called "Merle Justice."

~RP

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Paperback 671: Mistress of Falconhurst / Lance Horner (Fawcett Gold Medal X3315)

Paperback 671: Fawcett Gold Medal X3315 (PBO, 1973)

Title: Mistress of Falconhurst
Author: Lance Horner
Cover artist: Uncredited

Yours for: Not for Sale (gift to the collection from Laurie Gagne)


Best things about this cover:

• You had me at Mandingo-font.
• Antebellum Lambada!
• His left hand is terrifying.

Best things about this back cover:

• "Did we mention MANDINGO? MANDINGO!"
• What kind of hell-on-earth do you have to create in order to become "the South's most notorious slave plantation"? Don't answer.
• "Sometimes it was hard to tell who was master and who was slave." — when I'm trying to tell master from slave, I use this simple heuristic: the slave is the black one.
• For some reason the phrase "... as only Lance Horner can tell it" is making me LOL.

Page 123~

He put his left arm around Djoubo's naked waist and drew him close, hefting his huge genitals in his right hand.

This is — swear to god — the least offensive thing on this page. What the hell, 1970s readers?

~RP

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Paperback 634: Moment of Untruth / Ed Lacy (Lancer Books 73-554)

Paperback 634: Lancer Books 73-554 (2nd ptg ?, 1967)

Title: Moment of Untruth
Author: Ed Lacy
Cover artist: illegible [underneath and perpendicular to guy's right arm] [Al Parker?]

Yours for: $8


Best things about this cover:

• This is seriously the dumbest-looking cover hero I've seen in a while. Looks like he's wearing a shorty terrycloth robe. Also, like he's carrying a giant woman's purse while not wearing pants. 
• "We need to play on the phrase 'Moment of Truth'..." "Oooh, I have an idea ..."
• There's "earth tones" ... and then there's feces. And we're *right* on the border here. 
• Not sure I like what he's doing to that poor girl with that gun. 
• I call ellipsis abuse.
• That woman needs to Dominate this cover. What the hell were the designers thinking?
• "Mexico: Come for the Food and the Fun, Stay for the Taut Immediacy"

Best things about this back cover:

• TOUIE! That is a name I can get behind.
• "He was a Negro, and at age forty he knew exactly what that meant." Unfortunately, I have no idea exactly what that means.
• Copywriting has apparently been given over to some randomizing algorithm. "Random assertion ... Random plot point ... ELLIPSIS!"

Page 123~

"Ask, does a woman pilot this second plane with the two engines?" I said, feeling the excitement well up within me.

When the kid translated, the godmother shook her head, seemed to indicate  a woman by pointing to her own flat breasts.

This may be the most implausible breast-related action I've ever heard of. I'm trying to imagine this happening in a way that isn't entirely comical and/or enigmatic. I mean, it's a yes/no question, why in the world would she point to her own breasts? It's a redundant, ridiculous move.

~RP

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Paperback 567: The Whipping Boy / S.E. Pfoutz (Popular Library 821)

Paperback 567: Popular Library 821 (1st ptg, 1957)

Title: The Whipping Boy
Author: S.E. Pfoutz
Cover artist: that guy that did a lot of Popular Library covers in the '50s ... always wore a shirt ...

Yours for: $9

Best things about this cover:

• The tragic stair-falling scene from Mickey Spillane's final novel: "Mike Hammer: The Big Knee Replacement"
• Meanwhile, in the background: "I'd like to cross your color line, baby." "I ... don't know what that means. Please leave." "Oh, alright. Hey, do you think I'm OK to drive? Here, smell my breath, haaaaaaaaaaaah..."
• I feel like the author's name is some kind of code I'm supposed to break.
• This is the most unracial racial cover ever. "Did we say 'color line'? We meant big, bold primary colors—the blue THE, the red WHIPPING ... it's about a boy who likes to make whipped cream. Why do you have to make everything about race?"

Best things about this back cover:

• "I ... I can't decide. Do I stay with midget Vulcan or run off with black Jerry Seinfeld?"
• "A talented young Negro," HA ha. "Wow, you are really good at being Negro."
• Why would you go with "piercingly honest" when "frank" is so much more concise? "Frank" novels should just call themselves "frank" and quit hiding behind these flowery euphemisms. This message brought to you by Proud Frank Americans for Frankness. Thank you.

Page 123~

"Don't get funny with me, lover boy," said the creature, leering. "I know your kind from way back."

~RP

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Paperback 555: The Saracen Blade / Frank Yerby (Cardinal C-124)

Paperback 555: Cardinal C-124 (1st ptg, 1953)

Title: The Saracen Blade
Author: Frank Yerby
Cover artist: James Meese

Yours for: $10

Best things about this cover:

• Steve was quick to anger when people insulted his empty-swimming-pool harem. "It's a spatial commentary on the ways the traffic in women occludes ... oh you did *not* just roll your eyes at me! En garde!" 
• Steve erupted in anger when the judge of the No T-shirt Contest gave him only a 5.
• MC Hammer closes in on the man who stole his pants. "Please, Hammer ... don't hurt me."
• There is a paperback cover phenomenon I call "black hand"—it's a subset of "mystery hand." The mysterious / exotic Other reaches in from the margins ... oh you did *not* just roll your eyes at me!
• This cover follows the old paperback cover art maxim: bondage must enhance boobage.

Best things about this back cover:

• It's slightly unusual to have to have the back cover relate the scene depicted on the cover. It's highly unusual to have the back cover *tell* you that's what it's doing (possibly because it seems insultingly redundant)
• "And even when he did think—which, admittedly, wasn't often—..."
• Compound adjectives can be things of beauty. Then there's "adventure-crammed."

Page 123~

"You're not a stranger," Gautiette said mildly, "and I shall need your aid. The truth of the matter, good Pietro, is that Toinette has disappeared..."

"It's a hairspray, it's a perfume, it's a home perm, it's ... Toinette!"

~RP

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Paperback 524: The Farmers Hotel / John O'Hara (Bantam A2203)

Paperback 524: Bantam A2203 (4th ptg [1st thus], 1960)

Title: The Farmers Hotel
Author: John O'Hara
Cover artist: [James Avati]

Yours for: $10

Best things about this cover:

• I love this cover. Specifically, I love the use of text—generously sized and spaced, in gorgeous contrasting white (like the snow it's describing), in a 1/2-cover sized block that abruptly Stops and leaves the lower half quiet as 3am. 
• James Avati is best known for doing Every Damn Cover for Signet for several years, but this is up there with my favorite work of his. I clearly need a "Sexy Staircase" or "Woman Ascending a Staircase" or "Staircase Puts Woman's Ass at Man's Eye-Level" tag. This is not the first. 
• I love how the painting is so still (very Avati), and yet there is subtle motion in both him (rounding the corner) and her (slowly ascending, with a slight but meaningful over-the-shoulder glance).
• The dress is the thing. Magenta pops against the monochromatic brown background, as well as against the creamy V of her upper back. So, to sum up, Love.

Best things about this back cover:

• Less love, though this does make me want to read the book.
• This is the second version of this book that I've featured on this blog.
• "Jerry Mayo and the Pickwick Sisters" would be a Great band name.

Page 23~ (book is only 119pp. long)

The quiet of the room was almost total, but not peaceful.

~RP

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