Paperback 1135: The Twilight Lust / Val Arden (Royal Line 105)

Paperback 1135: Royal Line 105 (PBO, 1965)

Title: The Twilight Lust

Author: Val Arden

Cover artist: [photo cover]

Condition: 7/10

Value: $25

[Newest addition to the Doug Peterson Collection]

Best things about this cover: 

• "Adults Only may see my nipples. Yes, I'm serious, those are the rules. I'm crossing my arms defiantly, so you know that I am serious."
• I want one of you to dress as This Lady for Halloween, insane wig, chainmail underwear, "Adults Only" sign and all. Dying decorative houseplant optional.
• "Twilight" is code for gay/lesbian/queer. Always. Such a great code word. My favorite cover copy word, right up there with "frank" (as euphemism for "dirty")
• There should be more condition ratings for old paperbacks than just Good, Very Good, Fine, etc. There needs to be a word that gets to the specific quality of a book like this, which is unread, square, perfect, but also aged to hell and scuffed and notched by a saw at the top, maybe sun damaged. It's like "Excellent/Poor"

Best things about this back cover: 

• Wow. Wow. . . yeah, wow.
• Who can forget the first stirrings of "girhood?" Not me, that's for sure.
• "Satisfaction in treir seeking." "Treir seeking" was a lesbian spiritual/sexual practice. No one remembers what it was anymore. This book is the only record of its existence. Did they ever find the treir they were seeking? You'll have to get your own copy to find out. 
• It's like someone found a "rejected cover copy" text-file dump and just filed it as final copy. Like, on a dare. "Surely an editor will clean this up." And yet here we are. 
• Somehow the most disturbing thing to me about this back cover is how horribly off-center the copy is. That, and the grime. Oh, and the sad, misaligned final word. Poor "body."

Page 123~

She saw the irritation darkening his face and knew his pride had risen to overrun them. He could not let himself be concerned. He had never come to her with questions. Only with orders. And, certainly, he wasn't about to start now. Especially not now. Finish.

That first sentence starts out great ("She saw the irritation darkening his face") and then just falls off a cliff and never stops falling. This paragraph is like "Notes Toward a Paragraph." I can't stop laughing at "Finish." It's like an annotation or an editor's note that was never supposed to make it to print. Like, "Remember to come back and finish this paragraph because dear lord it is a mess."

~RP

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Paperback 1134: Call Boy / Tony Calvin (Ember Books EB 907)

Paperback 1134: Ember Books EB 907 (PBO, 1963)

Title: Call Boy

Author: Tony Calvin (pseud. of Thomas P. Ramirez)

Cover artist: Uncredited

Condition: 9.5/10

Value: $40

[Newest addition to the Doug Peterson Collection]

Best things about this cover: 

• "Hi, I know you only called for a single boy, but I brought back-up, just in case. We don't have nipples, I hope that's OK. What we lack in nipples, we make up for in sheer Wonder-Twin enthusiasm, I promise!"
• The cover copy wants me to think this is all very tawdry, but look at how happy they look. It almost seems wholesome, honestly.
• I wish I could properly explain how immaculate this book is. Obviously unread, bright as the sun, with only some superficial edgewear between it and a perfect 10 condition rating.
• Love her modesty hair, and modesty cash, but I wouldn't look too hard at the cash if I were you. It's like some early version of A.I. made it. Wonky and wrong in every way. Looks like it was issued by the country of "Reptilia"

Best things about this back cover: 

• Ember Books ... is yet another imprint in what is clearly a sleaze empire of the '60s. Nightstand Books, Ember Library, Companion Books, Sundown Reader, and on and on, there's a uniformity to the size and color scheme and artwork and ludicrousness, but it's this back cover copy that really feels the same across imprints—again, it's as if some early version of A.I. was asked to write cover copy for a '60s sleaze paperback and it just churned out a bunch of words that individually feel right ("strange," "twisted," "secret," "stud-mistress," "lust," "flesh," "bondage," "shame," "sin," etc.), but together add up to empty (and particularly unsexy) nonsense.
• I don't see anything like "shame" or "degradation" on the front cover. What I see is a mostly naked sleepover party. With Monopoly money.
• The wages of sin!? The wages of sin is death (Romans 6:23). Whereas the Wages of Fear is a classic 1953 thriller by the great French director Henri-Georges Clouzot, which was the basis for William Friedkin's fantastic Sorcerer (1977).

Page 123~

His surprise, as he opened the door to find the portly, medium-tall man standing there, left him totally speechless for at least thirty seconds. The doorknob seemingly froze in his fingers. This must be some kind of a joke. A man? Certainly Odile doesn't expect me to ... There's a damn limit, after all.

First: is there a limit, Stark Campion? Is there? I guess we'll see. 

Second: This paragraph works a lot better if you think of "the doorknob" as, well, a metaphor

~RP

P.S. I had to turn comments moderation on because of creeps. Please feel free to comment (I love hearing from people who love these books the way I do), but just know that publication of your comment will be delayed for a bit. And if your comments are Trumpist or homophobic or in any way hateful, they're never getting through. Please find another blog to pollute. Thank you!

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Paperback 1133: Seduction Campaign / Bruce Shelly (Merit Books 681)

Paperback 1133: Merit Books 681 (PBO, 1962)

Title: Seduction Campaign

Author: Bruce Shelly

Cover artist: photo (?)

Condition: 8/10    

Value: $40

[newest addition to the Doug Peterson Collection]

Best things about this cover: 

• Help me, Seduction Campaign girl! Your nymphomania is my only hope! (this is a Star Wars reference)
• For a really effective seduction, try taking the Chinese lantern or birdhouse or whatever that is away from your face
• Not a fan of photo covers, esp. when the photos seem to have been weirdly artificially colored (her Ronald McDonald hair color is implausible). But I actually really love her sassy, casual get-up. I guess the unbuttoned top button of the pants is supposed to be part of the seduction campaign? I just assume she ate a little too much at breakfast. 
• I like to think that she's in a western, and signaling to some gunslinger in the road, "Four..." Four what, I don't know. Maybe pancakes she had at breakfast?

Best things about this back cover: 

• As seduction campaigns go, this one seems pretty low-budget. SEDUCTION CAMPAIGN feels less like cover copy and more like a placeholder. It's like "future site of Seduction Campaign" or "Seduction Campaign, Coming 1963"
• "You ever think about anything else besides bed?" "Well, sure. There's, uh, seduction. Oh, and campaigning. Ronald McDonald. Bralessness. Lots of things."
• "Like to see?" is a weird line. "Wanna see?" tracks, but "Like to see?" sounds like she's threatening to put his eyes out. "Like to see? Then you better stop bugging me pal. Be a shame if anything happened to them peepers of yours."

Page 123~

    "Here's some pants, Davey." It was Bunny. All dressed and standing demurely in the living room. "Nice of you to call on us, Mrs. Kelly. It was time for us to get up anyway."

    Bunny was back in character. She flounced around Janet and handed me my slacks. "Don't mind us, Davey," she said. 

    "Oh, no!" said Janet. "Don't mind us at all!" She stalked into the living room and I followed just as soon as I was trousered.

This is basically an episode of “Three's Company.” Two girls and a guy. A landlady (probably). I mean, there's even a character named "Janet." 🎶"Come and knock on our door / Nymphomania reigns / Where the flouncing is hers and hers and his, / It's the Seduction Campaign!"🎶

~RP

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Paperback 1132: Mercedes / Carl Demarco (Midwood 33-714)

 Paperback 1132: Midwood 33-714 (PBO, 1966)

Title: Mercedes

Author: Carl Demarco

Cover artist: Uncredited

Condition: 6/10

Value: $11

[Newest addition to the Doug Peterson Collection]

Best things about this cover: 

• The long-awaited sequel to Hyundai.
• So ... she discovered that there was a staircase as well as an elevator? Exciting.
• I wish she filled more of the frame—so much more of the frame that the dope who's looking at her got pushed right out. There is a long tradition of "cardboard-cutout dude who is there only to ogle the hot woman" in paperback art, but this guy may be the cardboard-cutoutiest. She's so bored by him that she's turned to us for help.
• Her hair is perfect. The rest of her is pretty good too. I know I'm meant to look at her ass, but I kinda wish I could see the whole dress.
• I would lose my fucking mind if I spent more than three minutes in a room this color. So relentlessly This Color.

Best things about this back cover: 

• Just a B&W version of the cover?? The look and tone of both the art and the cover copy are so weary and half-hearted that I feel like that final line should read "[Sigh] Yet Another Midwood Original (We're Out Of Ideas)"
• I keep looking at her right hand to see if it has the correct number of fingers. There's something slightly ... mangled about it.
• "Penetrating"? OK, easy there, copy guy.
• "With whom"? Well, la-di-dah, copy guy.

Page 123~

    With a strange urgency, she passed her hands over her body—nude beneath the sheets—as if to reassure herself that she was all there, intact [!], that she hadn't left a part of herself with the sensuous Suzanne!

"My left kneecap ... Where's My Left Kneecap!? Curse your lesbian witchery, Suzanne!"

~RP

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Paperback 1131: The Company She Keeps / Mary McCarthy (Dell 824)

Paperback 1131: Dell 824 (1st ptg, 1955)

Title: The Company She Keeps

Author: Mary McCarthy

Cover artist: Robert Maguire

Condition: 7/10

Value: $10

[Newest addition to the Doug Peterson Collection]

Best things about this cover: 

• I took one look at this and said "Maguire" so fast, I surprised even myself. Utter certainty. The guy had a style, and that style was Quintessential GGA (Great Girl Art). Robert McGinnis has probably the most recognizable style of all paperback cover artists, but for me, Bob Maguire is undefeated. Best of the best. He doesn't even have a lot of room to do his magic here, and yet that face, those lips, those (perfect) hands—unmistakable.
• Every time I look at this cover—every single time—I see an empty coupe glass in her right hand. And then I see that it's just an illusion created by the corner of the train (?) window behind her—an illusion reinforced by the bottle of booze on the ledge behind her.
• Just put some a cigarette, some booze, and a world-weary dame on your cover and I am happy. If she's on a train, even better.
• I love how paperbacks sexed up everything by the mid-50s, even "literary" fiction like this. Mary McCarthy is not exactly slinging sleaze, but there's no reason she can't look like she is. There are very few books that could be improved, looks-wise, by The Maguire Treatment.

Best things about this back cover: 

• She's like the antithesis of the woman on the cover, all brightness and smiles. She seems lovely, but I yearn for the down-and-outness of the flip side of this book.
• "Writes like a man"—ugh, these midcentury critics who are still startled to find a woman writer who is good and also frank about sex. Speaking of frank ...
• "Frank!" My favorite cover copy adjective. Feels like it's been a long time since I've seen "frank." I have a "Frank" tag for this blog and everything. Welcome back, old friend. I love "frank" because it's like the book's winking at you, like "psst ... it's dirty, c'mon, read it! You know you wanna..."

Page 123~

He made you think of Boy Scouts and starting a fire without matches and Wesley Barry and skinning the cat and Our Gang comedies and Huckleberry Finn. If he had ever been hard up, he could have been a photographic model, and one could have seen his pleasant, vaguely troubled face more often in The Saturday Evening Post than in Esquire. He might have done well as the young man who is worried about his life insurance, the young man who is worried about dandruff, the young man whose shirts won't fit him, the young man who looks up happily from his plate of Crunchies, saying, "Gee, honey, I didn't know breakfast food could taste so good!"

Frankly, this is great. It goes on like this (the chapter is called "Portrait of the Intellectual as a Yale Man"), and it doesn't get worse. I've never read McCarthy before, but I might have to give her a try.

~RP

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Paperback 1130: Wild Spree / Jay Davis (Scorpion Books 101)

Paperback 1130: Scorpion Books 101 (PBO, 1964)

Title: Wild Spree

Author: Jay Davis

Cover artist: Gus Albet

Condition: 9/10 (yeah, it's got that sticker (38¢!!) ... sigh ... but otherwise ... mwah)

Value: $25-30

[Newest addition to the Doug Peterson Collection]

Best things about this cover: 

• L.A. pilates classes go hard.
• It's been two weeks since my last post! But vacation time is over! Let sleaze time commence!
• Bisexual visibility! You don't see "bisexuality" mentioned explicitly very often, but this one's got it right in the tagline on the teaser page, before the title page: "HER BISEXUAL ROOMMATE SEDUCED HER!" And sure, enough, page 1, they get right to it. "Juanita's lips found Susan's breasts." Not hard to do. Turns out they weren't exactly hiding.

• My friend Doug Peterson frequently brings me smutty paperbacks whenever we happen to see each other, and this time, when we met at the Huntington Museum near Pasadena, he did not disappoint. I've got something like a dozen gems for you in the coming weeks, starting with this top-shelf stuff.
• Scorpion Books ("... the book with a sting!")—this imprint is new to my collection (there appear to have been something like 8 Scorpion Books total (this is 101 and I can find them numbered only as high as 108)).

Best things about this back cover: 

• Look, if you're gonna be lesbian, I think you gotta go "all out." No part-time lesbians, no half-ass lesbians. Just ... all out. Like Maxine. Maxine gets it.
• OK where the fuck are we here? Like, in physical space, where are we? I just realized that this is a wraparound cover. Usually, wraparound covers are kinda ostentatious about the fact that they're wraparounds, so you get this cool continuous-picture effect as you turn the book over. But this ... this is some kind of grimy shack with no electricity. The folks on the front seem very well lit, but over here, in front of this framed picture of, I'm gonna say, garbage, with a shabby day bed that features an old wooden barrel for a pillow, there is no light. Only sadness. 
• One thing I love about this book is the amount of credit the artist is getting. There is a painting within the painting, which the actual artist (of the entire cover) has signed ("ALBET"), and somebody made sure that signature stayed visible and unobscured. Then you open the book up and the artist doesn't just get a credit—he gets a whole damn page! More books should treat their cover artists like this! As a collector, it absolutely sucks how hard-to-impossible it is to track down a simple artist credit when the book doesn't simply provide it. But here: hey, hey, hey, it's Gusssssss Albet!

Page 123~

    Without thinking, without awareness, she walked to the door, opened it, and then gasped in surprise to find Maxine Hensen standing there. 

"Somebody order an all-out lesbian?" Maxine chortled suggestively. Susan gasped, dropped to her knees, and threw her blue blouse over her head as the night exploded in a wild spree of desperate bisexual passions. Amen.

~RP

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Paperback 1129: The Postman Always Rings Twice / James M. Cain (Pocket Books 443)

 Paperback 1129: Pocket Books 443 (11th ptg., 1953)

Title: The Postman Always Rings Twice

Author: James M. Cain

Cover artist: Tom Dunn

Condition: 7/10

Value: $8

Best things about this cover: 

• Love their faces! "Fraaank ... you thinking what I'm thinking?" "Oh yeah, baby, it's murder city for hubby there. I got a foolproof plan..."
• This cover really gets across the idea that her husband is dragging her down. Physically, literally down. He's like a horny aging hell-imp come to besmirch the pure white maiden (that white is about to become superironic). Anyway, big diagonal energy in this one (from the glass on the table through the handsy Greek up through Miss Innocent and smack into Frank's cigarette-stuffed mug).
• Look at Frank there. He's like a tree. Just a straight up-and-down piece of solid wood. Actually, he seems to be emerging from a block of granite. He's got meaty hands, strangler's hands. But that t-shirt ... that's kinda jaunty. What is that, mint green? Snazzy.

Best things about this back cover: 

• Meh, this book's trying too hard to be highbrow. Quotes from Important Sources and whatnot. Where's my florid, sleazy cover copy!? Do you think I really care what [squints] Herbert Bayard Swope has to say? I do not.
• I can't believe no one calls this story "Frank," as it literally has a "Frank" in it.
• What is "the metal of an automatic?" Is he trying to say "gun?" The "bullets?" Which part of the automatic isn't metal? And can you really not lay a gun down? Sorry, Saturday Review of Literature, you're not up to the task here. Maybe go back to reviewing Louis Bromfield or John P. Marquand or whatever.

Page 123~ (actually, p. 23 ... there's only 121 pages total in this thing!)

    "Even if we had gone through with it they would have guessed it. They always guess it. They guess it anyway, just from habit. Because look how quick that cop knew something was wrong. That's what makes my blood run cold. Soon as he saw me standing there he knew it. If he could tumble to it all that easy, how much chance would we have had if the Greek had died?"

    "I guess I'm not really a hell cat, Frank."

It's a sad day when a girl has to give up on her childhood dreams of being a hell cat. But we all have to grow up sometime, I guess. 

~RP

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Paperback 1128: Walls of Gold / Kathleen Norris (Pocket Books 488)

Paperback 1128: Pocket Books 488 (1st ptg., 1948)

Title: Walls of Gold

Author: Kathleen Norris

Cover artist: Earl Cordrey

Condition: 5/10

Value: $4-5

Best things about this cover: 

• She liked to make every new lover smell the blood of his predecessor. "How did you get his bl-?" "Shut up and smell, Steve. Then help me scrape the words off these walls of gold."
• I thought there was a speck of dirt on her right shoulder but it won't come off so maybe it's a mole?
• She married for position. And that's how she became left tackle for the Chicago Bears.

Best things about this back cover: 

• "... an elderly widower who gave her all the good things of life"—well, apparently not all the good things
• Three hypothetical questions on one back cover. That's asking (literally) a lot of the reader
• Wait, the rich guy is named "Ritchie?" I can't wait to meet Jimmy's other love interests, architect Sam Houseman and butcher Steve Mietz

Page 123~

Jimmy, who had to write all the notes of thanks, observed that some day they would build a beautiful home somewhere and put their new things into it. But Gordon was a little dubious about that. 

Jimmy, who could brook no dubiousness, quickly slit her new husband's throat, cleaned up the blood with a handkerchief, and then descended the staircase to show Steve what she'd done.

~RP

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Paperback 1127: Golden Tramp / Daoma Winston (Beacon B 272)

 Paperback 1127: Beacon B 272 (PBO, 1959)

Title: Golden Tramp

Author: Daoma Winston

Cover artist: Uncredited [Harry Barton]

Condition: 8/10 

Value: $20

Best things about this cover: 

• Her name is Gay? Bit on the nose, don't you think? I mean ... whither subtlety?
• It's like she's eating his face with her neck. Some kind of weird reverse vampire.
• "Your head feels so good, Steve!" "Mmmfrphywtuh"
• There's something oddly, bizarrely, unexpectedly charming about the pink stripes on the pillow.
• I approvingly acknowledge the hint (the barest hint) of garter hook.
• I love the cover copy's anguished "WHY?" "Why oh why won't she give up this endless orgy of the flesh and join the endless orgy of the mind!?"

Best things about this back cover: 

• Ransom note font, wtf?
• OMG there really is a "Steve" in this thing. Nailed it!
• "Maybe it was Tom who turned Gay from men." So ... he turned Gay ... gay? Seriously, the protagonist's name is not helping you, Daoma.
• I'm not sure "tete-a-tetes" means what you think it does, Daoma. Unless ... "tete" ("head") is a euphemism for some other body parts that they're putting ... together ...
• Holy shit, plot twist! Peter covets Jonathan!? Who the fuck is Jonathan? You can't just drop Peter's queerness *and* a new character into the very last sentence. I don't even care about Gay anymore. I need to know about Peter and Jonathan! I hope they're happy (but since they're gay in a 1950s paperback, safe bet is that they are probably not, in fact, happy).

Page 123~

"Well, you know what he did? Went off and married one of those drive-in girls in the shiny shirts, and dimpled knees showing. And the funniest thing happened. It turned out she's some kind of an heiress or something. Couldn't have happened at a better time, or to a nicer guy."

Man, it's like Daoma Winston's got a barreful of premises for novels and she's just gonna dump them all into one book. Now I need to know about the heiress who is also somehow a dimple-kneed shiny-shirted drive-in girl ... which is apparently a type? I want to live inside a late '50s Beacon paperback, if just for a day. It sounds wild.

~RP

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Paperback 1126: Chicago: City of Sin / John J. McPhaul (Book Co. of America 005)

Paperback 1126: Book Co. of America 005 (1st ptg, 1965)

Title: Chicago: City of Sin

Author: John J. McPhaul

Cover artist: photo cover

Condition: 8/10 

Value: $9

[Chapter 2 Books, Winona, MN (July 2025)]

Best things about this cover: 

• The title is great. And the book is in very good condition. And the imprint is rare (this is only my fourth "Book Co. of America" book). Other than that, not a lot to recommend this cover. Maybe the title font. That's pretty nice.
• Grim photo. But it's also small enough that I don't really notice it much. My eye just kind of takes it in as an abstract arrangement of darks and lights. The title, with its garish yellow-on-black color scheme, is far more eye-catching than the photo.
• It's weird that this scene (and its description) dominate the cover of the book, because (as you'll see), the book isn't primarily about the St. Valentine's Day Massacre, or even organized crime generally. It's an overview of all the "sinful" aspects of Chicago.

Best things about this back cover: 

• "[...] THE ONE CALLED MADISON?" Why is there a "?" at the end of that sentence? Do they not know the name of the street? Are they unsure? Maybe the typesetter left the "?" in there to remind himself to go back and factcheck, but never did.
• I don't know what "THE RIDE" is. Hang on ... lol when I google [birthplace of the ride] all I get is Sally Ride (she was born in Los Angeles, btw). Huh, not sure what "the ride" is supposed to mean. It's got sexual connotations, but I doubt Chicago is the birthplace of sex. It also can refer to being taken to prison, but again, prisons predate Chicago. Is it like being taken for a ride, as in scammed, somehow? Maybe it's some kind of hot dog ... 
• Pretty dishonest to say that the book is "SEEN AND TOLD BY AN ALL STAR CAST OF WRITERS AND REPORTERS," which implies that the book will be a kind of anthology of famous people's writing, and it is not. It's all John J. McPhaul, the "author" of the "famous film" Northside 777 (not a bad flick, tbh). Charles MacArthur wrote plays in collaboration with Ben Hecht; he was married to Helen Hayes, the first woman to win an EGOT. Finley Peter Dunne was a Chicago-based nationally syndicated humor columnist of the late 19th/early 20th century. "Written as though speaking with the thick verbiage and accent of an Irish immigrant from County Roscommon, Dunne's fictional 'Mr. Dooley' expounded upon political and social issues of the day from behind the bar of his South Side Chicago Irish pub." (wikipedia).

Page 123~

Patterson was running the New York News when a corset salesman named Judd Gray became enamored of Ruth Snyder ("a chilly-looking blonde with frosty eyes," in Damon Runyon's words). She was encumbered with a husband. The pair disposed of him with murder so badly botched that they were quickly arrested and sentenced to death.

Not sure why the head of a New York paper is in this book about Chicago, but knowing that Damon Runyon covered this fiasco makes me want to read more about it. Also, "encumbered with a husband" is a nice phrase. I've known more than a few women who could be thus described. 

~RP

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Paperback 1125: The Passion Hunters / Orrie Hitt (Domino Books 72-712)

Paperback 1125: Domino Books 72-712 (PBO, 1964)

Title: The Passion Hunters    

Author: Orrie Hitt

Cover artist: Uncredited

Condition: 4-5/10

Value: $10

[Chapter 2 Books, Winona, MN (July 2025)]

Best things about this cover: 

• Gee, your nose smells terrific!
• "Kissing's when I talk into your nose, right?"
• She's gonna have to open her eyes if she ever wants their faces to line up properly
• It looks like it's raining exclusively in her bed and on his shirt, with some kind of green aurora borealis in the background
• I keep quickly glancing at the cover copy and seeing the phrase "mouth-open season," which, given the picture, seems right

Best things about this back cover: 

• Fair game! It's a pun! Because they are pretty ("fair") and you hunt them. Or else they are a game you play at a carnival booth, like the ring toss. He does seem to be trying to bend her body into some kind of shape, perhaps in order to win a giant stuffed animal. "I thought you liked me, Brad. What about that embrace at the carnival booth?" "I was just trying to bend you into a knot so I could win that panda!"
• I am shocked, shocked, I say, to find that this Orrie Hitt book doesn't seem to have much of a plot. He's going deer-hunting. But he wants sex and money. But he'll settle for sex. Hitt me!
• "A trio of torrid temptresses!" Somewhere, there's a dyad of dumpy dames going "Hey, what about us!?"

Page 123~

Getting over the beaver channels was the worst, and before I cleared the swamp I didn't have to continue worrying about dropping him. He was already dead, the knife still in his belly, and from there on down the mountain I was an undertaker without a license.

OK, technically this is from p. 122, but once I saw the phrase "Getting over the beaver channels," there was no turning back. You understand.

~RP

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Paperback 1124: The Removers / Donald Hamilton (Gold Medal s1082)

Paperback 1124: Gold Medal s1082 (PBO, 1961)

Title: The Removers

Author: Donald Hamilton

Cover artist: Barye Phillips

Condition: 6/10 (crease down the middle of the cover)

Value: $6-10

Best things about this cover: 

• Another day, another Barye Phillips Gold Medal cover that is disappointingly sketchy. Why is this there so much unused space? Why is the woman so small? Bah!
• Also: another day, another implausible color of "red" on the "red"head. That's like Ronald McDonald "red," come on.
• On the other hand, love what the cover is doing with the "V" motif here—extending it up to provide space for the tagline, but also using it as a visual representation of the (imagined) gunshot. The whole "V" is like a speech bubble for the gun. A blast bubble.
• I also dig this groovy sixties font.

Best things about this back cover: 

• Interesting continuation of the "V" motif onto the back cover, extending and transforming it here into the top part of an exclamation point, with Helm himself as the emphatic dot!
• Gold Medal mostly didn't bother with the blurbs from "legitimate" press—you sell these books with Great Girl Art (GGA) and author reputation, not critic blurbs—but I guess if the critics love you, you can try to appeal to the eggheads who would otherwise be embarrassed to be seen reading 35c books.
• "A Creature of Sweetness and Havoc" would, I must admit, be a great crime novel title.

Page 123~

I put the phone down. I was looking at Beth, but for some reason I was seeing a long, low, green car—the color is known as British Racing Green—hurtling across the Arizona desert with that fine, wicked sound that you get only from high-class machinery that's really carrying the mail. Barring the true racing cars, the Jaguar is possibly, along with its American counterpart the Corvette, the most ridiculous vehicle made, from the viewpoint of efficient and economical transportation. You've got power enough to move a ten-ton truck attached to a loadspace barely adequate for two men and a small toothbrush. But it's an ego-satisfying machine in every respect [...]

OK, I've never read a Donald Hamilton novel before (that I can recall), but this stretch of prose actually makes me want to. I love an author who'll just do a funny little plot-irrelevant aside like this. Chandler was at his best when he'd let Marlowe do this sort of thing. Gonna throw a Hamilton novel onto the "summer vacation reading" list (already in danger of getting too long)

~RP

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Paperback 1123: Miss America / Daniel Stern (Popular Library G464)

Paperback 1123: Popular Library G464 (1st ptg, 1960)

Title: Miss America

Author: Daniel Stern

Cover artist: [Mitchell Hooks]

Condition: 8/10

Value: $20

Best things about this cover: 

• Now that's a redhead. That hair's so orange it's pink.
• Wow, this lady really likes stationery.   
• This is a movie tie-in. I've never heard of this movie. What's more, I cannot find any proof that this movie exists, or ever existed. Nothing by this name appears in Carroll Baker's filmography, and nothing she made in this general time period seems to have been based on this novel. I have no idea why they'd say there was a movie when there is no movie. I feel like I've uncovered a mystery. Possibly a very boring one, but still. Mystery!

Best things about this back cover: 

• OK, not to be that guy, but ... well, I am that guy, so ... it's The Beautiful and Damned, not The Beautiful and the Damned, dammit. This blurb is not up to the lofty editorial standards I expect from the ... [squints] ... Lansing State News.
• "Her most intimate statistics were common knowledge." What could her "most intimate statistics" be? What are anyone's "most intimate statistics?" Number of sex partners? Bra size? Cholesterol? 
• This back cover copy tells you precisely nothing except that there's some hot celebrity "goddess" and she ... has a life ... not covered by the press. You don't say!

Page 123~

Just before we rang the bell, Cathy turned to me and said, "I've got a confession to make. You know that first night, when you played those quartets? I came expecting to hear jazz quartets. I thought I'd fall down when you started taking out the string instruments."

String instruments!? Well, sure, that's enough to make anyone fall down. I'm writing this from the floor right now, and that's just from hearing about it.

~RP

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Paperback 1122: The Bloody Medallion / Richard Telfair (Gold Medal d1665)

Paperback 1122: Gold Medal d1665 (2nd ptg, 1966)

Title: The Bloody Medallion

Author: Richard Telfair (Richard Jessup)

Cover artist: Bill Johnson

Condition: 6/10    

Value: $6-8

[from Stomping Grounds bookstore, Geneva, NY (6/24/25)]

Best things about this cover: 

• Buddy! It's OK, buddy, I just walked into the wrong room, I'm leaving now. Good dog.
• More dogs on covers! More, I say!
• I know there is an attractive naked lady on this cover, but ... puppy!
• That dog is looking directly at me. I have no idea what the lady is looking at.
• Is she bathing ... in a six-inch-deep hole? What kind of bathtub is that? It looks like she's standing in a flooded bathroom. Maybe she's supposed to be outdoors? Seriously, where are we in this picture?
• Look at them try to trick you into thinking this is a Sax Rohmer novel. I've never seen a blurb writer's name get displayed more prominently than that of the author. And they made Sax's name red like the title, too. Crafty marketers...

Best things about this back cover: 

• Blood stains? That's it? Abstract red splatters? Where's buddy? I miss buddy.
• Gay revenge story! (I'm just gonna assume "best friend" is a euphemism). Love it! 
• Seriously, putting it on the "to read" pile. I love a good (or even bad) revenge tale. Telfair's name rings a bell, but I'm not sure why. Richard Jessup seems to have written a half dozen or so crime paperbacks under this name in the span of about four years (1959-62).

Page 123~

    "Strip," I said.

    Dutifully he began taking off his clothes. When he was nude, I ordered him to the water's edge.

I'm just gonna stop there. It's sexier that way.

~RP

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Paperback 1121: A Place To Meet / Mary Orr (Perma Books M-4257)

Paperback 1121: Perma Books M-4257 (1st ptg., 1962)

Title: A Place to Meet

Author: Mary Orr

Cover artist: Barye Phillips

Condition: 7/10

Value: $5-8

[from Stomping Grounds bookstore, Geneva, NY (6/24/25)]

Best things about this cover: 

• Excellent title design motif. Really evokes an affair by evoking a hotel room of a bygone era (i.e. before key cards). But if I were Mary Orr, I'd be mad that they did not have a similarly eye-popping design for My Damned Name. I keep looking at this cover like [squinting] "who the hell wrote this?" They really bury her name in an avalanche of white text.
• Barye Phillips has not generally been among my favorite cover artists (there's something slightly sloppy / sketchy / incomplete / messy about his work, esp. for Gold Medal), but I kinda like this one. Their embrace—her ecstasy in particular—is really ... radiating. "When they came together ... it was nuclear!" (it's 1962, after all, so I thought a little Cuban Missile Crisis energy was in order)
• I did not know All About Eve was based on a book. Once again, the popularizers and adapters get the title right. Last time (Paperback 1120), it was the paperback changing the hardcover original title from The Long Chance to Long Shot (so much better), and here we see the movie-makers made the wise decision to ditch The Wisdom of Eve in favor of the much snappier title. Would that movie be the classic it is if it were titled The Wisdom of Eve?Honestly, I doubt it.

Best things about this back cover: 

• Wow, the key is much more menacing back here. Bigger, more skull-like, and with prominent jagged teeth. Perhaps this is a sign that the affair between ... what's her name and ... Miguel? Really? ... anyway, perhaps the key is a sign that the affair spells Danger!
• I like how she talks like a casting agent: "I've got this role that you might be perfect for..."
• Miguel: Filler of Voids
• It's kind of funny to describe your prospective affair as "The One." Like, wasn't your husband supposed to be "The One?"

Page 123~

And then, like a crash in the dark, the volcano of discontent had suddenly erupted the way it always had in past Vanzadorian history.

Now is the volcano of our discontent made glorious crashing by this son of ... Vanzador? That's your fictional Latin American country, Vanzador? I guess if the only two words you can think of are "Venezuela" and "matador," then sure, Vanzador. Anyway, I now that there is an actual place called Vanadzor—not a country in Latin America, but a city in Armenia. Don't say this blog never taught you anything.

~RP

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Paperback 1120: Long Shot / David Mark (Dell D300)

Paperback 1120: Dell D300 (1st ptg., 1959)

Title: Long Shot

Author: David Mark

Cover artist: Bob McGinnis [apparently misattributed] Mitchell Hooks

Condition: 6.5 or 7/10

Value: $8-10

[from Stomping Grounds bookstore, Geneva, NY (6/24/25)]

Best things about this cover: 

• God bless my wife for discovering that the bookstore we were rummaging around last week in Geneva, NY had cabinets running the length of the floor (closed!) that contained $1 books. We both of us dropped to our knees and started combing over the inventory. We emerged with five good-to-great books, absolute steals at $1. This is one of them, maybe the best of them, where the cover is concerned. You can't go wrong with McGinnis [I'm told the attribution to McGinnis is a mistake, and that the artist is actually Mitchell Hooks ... whom you also can't go wrong with]. This is top-shelf GGA (Great Girl Art). Her smoky sideways glance and akimbo arm (not to mention her Fantastic green dress and orange coat) give this cover tremendous curb appeal.
• The contrast between her (foreground) and the shadowy dude at the betting window (background) creates great dynamic tension in the cover. Doubt it would work half so well if *he* were in the foreground.
• Who needs a silly thing like decency when you've got a rotten little tramp and the sick excitement of a gambling addiction!
• Long Shot is so much better than The Long Chance (the original title). Whoever was in charge of marketing at Dell really knew what they were doing here.
• Seriously, her ensemble is on fire.

Best things about this back cover: 

• I'm sorry, is his name really "Loeser?" Kind of on-the-nose for a noir-style sap, don't you think? 
• HUSBAND ... LOVER ... BELOVED? I think I get what's going on with Ruth and Katy, but Carol ... I have questions about Carol.
• I have this nagging feeling that things don't end well for Mr. Loeser. That description of what it feels like for him to be at the track is striking, and strikingly like the feelings associated with other addictions, notably alcoholism.

Page 123~

    "Fight back!" roared the straight-backed man with the gray mustache (why did everyone have to roar?), "you have to learn to fight back."

    "Yes, sir."

    "You want to be a man, don't you?"

    "I guess so."

    "You want to be a good soldier, don't you?"

    "I don't think so."

    "Well, speak up, lad, what do you want to be?"

    Rick tried again. "Alive," he said.

~RP

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Paperback 1119: The Baroness #4: Hard-core Murder / Paul Kenyon (Pocket Books 77918)

Paperback ___: Publisher number (PBO, 1974)

Title: The Baroness #4: Hard-core Murder

Author: Paul Kenyon

Cover artist: Uncredited [Hector Garrido]

Condition: 8/10

Value: $25

[from Stomping Grounds bookstore, Geneva, NY (6/24/25)]

Best things about this cover: 

• The kind of book where I take one look at it and I'm like "yup!" No hesitation. Redhead in a bodysuit karates ancient Romans and their tigers? I'm in. Even when I (eventually) noticed that the action seems to be taking place on a movie set—still in.
• Pink. This book is very pink. I mean, Pink. 
• I cannot tell you how badly I need Baronesses numbers 1 through 3. 
• The Sexy Superspy who entertained the crew by making shadow puppets with her giant spatula hands!

Best things about this back cover: 

• "Makes the scene!" Nobody "makes the scene" anymore. Real loss to the culture, imho. I mean, I get that it's a movie pun, but still ... people used to "make the scene" and now they don't and we are all the poorer for it.
• Yes, I paid $7.50 for this. As you can see, it's "worth" a bit more (based on prices at abebooks). Not that I really care that much. 
• Baroness Penelope St. John-Orsini! That's ... quite a name. My wife is named "Penelope." I don't think I could get her to wear that outfit, but I'm gonna start calling her "Baroness" and see what happens.
• A porn film that will bring down the American government, eh? I don't think anyone's tried that one yet. Whatever it takes!
• "Sully Flick" was born Sensual Motion Picture IV but thought it sounded too aristocratic for the movie biz so here we are.

Page 123~

Frankie found his favorite place, the table near the display of leather-and-chain books, that had all the real hot stuff on it. It was very educational.

~RP

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Paperback 1118: HUD / Larry McMurtry (Popular Library SP218)

 Paperback 1118: Popular Library SP218 (1st ptg, 1963)

Title: HUD

Author: Larry McMurtry

Cover artist: N/A

Condition: 7/10

Value: $15-20

Best things about this cover: 

• HUD stands for "HUge Dude"
• I love how defiantly HUD Paul Newman is. Like, "Yep, I'm HUD. Here I am. Cool as shit. Lean, handsome, ten feet tall. Perhaps you best run along..."
• Patricia Neal's exercise routine was, let's say, unorthodox
• Patricia Neal wins an Academy Award for Best Actress and *this* is how the book cover treats her? Like she tripped and fell over in the background of a Paul Newman photo shoot? Not cool.

Best things about this back cover: 

• The only thing sexier than dry HUD is ... Wet HUD!
• I hope he was not, in fact, "capable of rape." It's been a while since I've seen the movie, so I forget. (Looks like he attempts rape ... but the movie is mostly about foot-and-mouth disease in cattle—sexy!)
• "Exciting." The period somehow makes it sound less than exciting.

Page 123~

    "Hud, who is it, hon?" Lily said. She was in the back seat.

    "Oh, snakeshit," Hud said. "Run get that pickup an' point it this way, so we'll have light. I can't turn mine aroun' in this road. I may a run over him."

~RP

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Paperback 1117: Night and the City / Gerald Kersh (Dell 374)

 Paperback 1117: Dell 374 (1st ptg, 1950)

Title: Night and the City

Author: Gerald Kersh

Cover artist: [movie still: Richard Widmark, Gene Tierney]

Condition: 6/10

Value: $10-15

Best things about this cover: 

• Two of the greatest, smoldering for your attention
• This is one of my favorite movies, and one of the greatest films noirs of all time. It's probably my favorite movie of 1950, which is Saying Something (1950, after all, has All About Eve, Sunset Boulevard, Born Yesterday, etc.)
• Harry Fabian is the quintessential noir hero. Antihero. Loser-hero. Just wants to be somebody. Thinks he can work the system and outsmart the big boys. Finds out ... otherwise. If that's not noir, I don't know what is.

Best things about this back cover: 

• Mapback! All books should be mapbacks. I really don't understand why they're not.
• Frank! Feels like forever since the "Frank!" alarm has gone off. My favorite paperback cover adjective returns (albeit in adverbial form)
• Cabbie, please take me directly to HONKATONK BOTTLE-PARTY. Located at ... [squints at book] ... 5? No, just 5. I don't know. 5! Find it! Use "The Knowledge!"

Page 123~

    He walked slowly back to Rupert Street, entered quietly and undressed in silence. He was relieved to see that Zoë slept soundly.

    He undressed and crept into bed beside her.

    She sighed, and whispered: "Chihuahua—"

   

Look, I'm sure there is explanatory context here, I'm just saying, I don't wanna know it. I'm gonna just assume that "Chihuahua" is a term of endearment for Harry, or else that she is dreaming of tiny dogs ... or that "Chihuahua" was the name of her childhood sled.

~RP

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Paperbacks 1115 & 1116: The Ivory Grin & The Way Some People Die (Bantam 10979 & 10987)

Paperbacks 1115 & 1116: Bantam 10979 & 10987) (6th ptg, 1977 / 8th ptg, 1977)

Titles: The Ivory Grin & The Way Some People Die

Author: Ross Macdonald

Cover artist: Mitchell Hooks

Condition: 8/10 & 8/10

Value: $5-10 each

Best things about this cover: 

• I said last time that I had one more of these late'70s Archer covers by Mitchell Hooks, but it seems I lied: I had two, bringing my total to five. I guess I collect these now? Subcollection! Just what I need...
• Well yeah, sure, grins don't get much more ivory than that. 
• The dude loading the gun looks like a very disappointed middle manager. "We didn't make our quota this quarter, team. I told you there'd be consequences..."
• I'm super into that cat burglar guy but he's about a centimeter in height, and it's hard to truly love a design element that small. 
• The tealish hue coating every element of this painting is kinda sickly, but somehow when set against the equally sickly pale yellow background, it ends up ... perfect?

Best things about this 2nd cover: 

• Maybe my least favorite of these Archer covers so far. Still good, but the people look like they're carved out of wood. Looks a little sloppy, a little lifeless. But the neon signs and palm trees and dead guy are ... mwah!
• Her hair is insane. I can only hope that it's a wig. Her posture and expression are priceless, though: "Sigh, bikinis are so tiresome ... when do we drink?"
• Does the dead guy have a toupee that's come loose, or did he flatten a small bird with his head when he fell?

No point doing back covers, since they're just that same shadowy photo of Macdonald from the last book. So on to ...

Page 123~ (from The Way Some People Die)

    "The dirty bastard picked up and left me," she said in a deep harsh voice. Her eyes were round with anger, or surprise at her own language. "Good heavens," she said in her normal voice, "I never swear, honestly."

    "Swear some more. It will probably do you good."

~RP

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