Paperback 1132: Mercedes / Carl Demarco (Midwood 33-714)

 Paperback 1132: Midwood 33-714 (PBO, 1966)

Title: Mercedes

Author: Carl Demarco

Cover artist: Uncredited

Condition: 6/10

Value: $11

[Newest addition to the Doug Peterson Collection]

Best things about this cover: 

• The long-awaited sequel to Hyundai.
• So ... she discovered that there was a staircase as well as an elevator? Exciting.
• I wish she filled more of the frame—so much more of the frame that the dope who's looking at her got pushed right out. There is a long tradition of "cardboard-cutout dude who is there only to ogle the hot woman" in paperback art, but this guy may be the cardboard-cutoutiest. She's so bored by him that she's turned to us for help.
• Her hair is perfect. The rest of her is pretty good too. I know I'm meant to look at her ass, but I kinda wish I could see the whole dress.
• I would lose my fucking mind if I spent more than three minutes in a room this color. So relentlessly This Color.

Best things about this back cover: 

• Just a B&W version of the cover?? The look and tone of both the art and the cover copy are so weary and half-hearted that I feel like that final line should read "[Sigh] Yet Another Midwood Original (We're Out Of Ideas)"
• I keep looking at her right hand to see if it has the correct number of fingers. There's something slightly ... mangled about it.
• "Penetrating"? OK, easy there, copy guy.
• "With whom"? Well, la-di-dah, copy guy.

Page 123~

    With a strange urgency, she passed her hands over her body—nude beneath the sheets—as if to reassure herself that she was all there, intact [!], that she hadn't left a part of herself with the sensuous Suzanne!

"My left kneecap ... Where's My Left Kneecap!? Curse your lesbian witchery, Suzanne!"

~RP

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Paperback 1131: The Company She Keeps / Mary McCarthy (Dell 824)

Paperback 1131: Dell 824 (1st ptg, 1955)

Title: The Company She Keeps

Author: Mary McCarthy

Cover artist: Robert Maguire

Condition: 7/10

Value: $10

[Newest addition to the Doug Peterson Collection]

Best things about this cover: 

• I took one look at this and said "Maguire" so fast, I surprised even myself. Utter certainty. The guy had a style, and that style was Quintessential GGA (Great Girl Art). Robert McGinnis has probably the most recognizable style of all paperback cover artists, but for me, Bob Maguire is undefeated. Best of the best. He doesn't even have a lot of room to do his magic here, and yet that face, those lips, those (perfect) hands—unmistakable.
• Every time I look at this cover—every single time—I see an empty coupe glass in her right hand. And then I see that it's just an illusion created by the corner of the train (?) window behind her—an illusion reinforced by the bottle of booze on the ledge behind her.
• Just put some a cigarette, some booze, and a world-weary dame on your cover and I am happy. If she's on a train, even better.
• I love how paperbacks sexed up everything by the mid-50s, even "literary" fiction like this. Mary McCarthy is not exactly slinging sleaze, but there's no reason she can't look like she is. There are very few books that could be improved, looks-wise, by The Maguire Treatment.

Best things about this back cover: 

• She's like the antithesis of the woman on the cover, all brightness and smiles. She seems lovely, but I yearn for the down-and-outness of the flip side of this book.
• "Writes like a man"—ugh, these midcentury critics who are still startled to find a woman writer who is good and also frank about sex. Speaking of frank ...
• "Frank!" My favorite cover copy adjective. Feels like it's been a long time since I've seen "frank." I have a "Frank" tag for this blog and everything. Welcome back, old friend. I love "frank" because it's like the book's winking at you, like "psst ... it's dirty, c'mon, read it! You know you wanna..."

Page 123~

He made you think of Boy Scouts and starting a fire without matches and Wesley Barry and skinning the cat and Our Gang comedies and Huckleberry Finn. If he had ever been hard up, he could have been a photographic model, and one could have seen his pleasant, vaguely troubled face more often in The Saturday Evening Post than in Esquire. He might have done well as the young man who is worried about his life insurance, the young man who is worried about dandruff, the young man whose shirts won't fit him, the young man who looks up happily from his plate of Crunchies, saying, "Gee, honey, I didn't know breakfast food could taste so good!"

Frankly, this is great. It goes on like this (the chapter is called "Portrait of the Intellectual as a Yale Man"), and it doesn't get worse. I've never read McCarthy before, but I might have to give her a try.

~RP

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Paperback 1130: Wild Spree / Jay Davis (Scorpion Books 101)

Paperback 1130: Scorpion Books 101 (PBO, 1964)

Title: Wild Spree

Author: Jay Davis

Cover artist: Gus Albet

Condition: 9/10 (yeah, it's got that sticker (38¢!!) ... sigh ... but otherwise ... mwah)

Value: $25-30

[Newest addition to the Doug Peterson Collection]

Best things about this cover: 

• L.A. pilates classes go hard.
• It's been two weeks since my last post! But vacation time is over! Let sleaze time commence!
• Bisexual visibility! You don't see "bisexuality" mentioned explicitly very often, but this one's got it right in the tagline on the teaser page, before the title page: "HER BISEXUAL ROOMMATE SEDUCED HER!" And sure, enough, page 1, they get right to it. "Juanita's lips found Susan's breasts." Not hard to do. Turns out they weren't exactly hiding.

• My friend Doug Peterson frequently brings me smutty paperbacks whenever we happen to see each other, and this time, when we met at the Huntington Museum near Pasadena, he did not disappoint. I've got something like a dozen gems for you in the coming weeks, starting with this top-shelf stuff.
• Scorpion Books ("... the book with a sting!")—this imprint is new to my collection (there appear to have been something like 8 Scorpion Books total (this is 101 and I can find them numbered only as high as 108)).

Best things about this back cover: 

• Look, if you're gonna be lesbian, I think you gotta go "all out." No part-time lesbians, no half-ass lesbians. Just ... all out. Like Maxine. Maxine gets it.
• OK where the fuck are we here? Like, in physical space, where are we? I just realized that this is a wraparound cover. Usually, wraparound covers are kinda ostentatious about the fact that they're wraparounds, so you get this cool continuous-picture effect as you turn the book over. But this ... this is some kind of grimy shack with no electricity. The folks on the front seem very well lit, but over here, in front of this framed picture of, I'm gonna say, garbage, with a shabby day bed that features an old wooden barrel for a pillow, there is no light. Only sadness. 
• One thing I love about this book is the amount of credit the artist is getting. There is a painting within the painting, which the actual artist (of the entire cover) has signed ("ALBET"), and somebody made sure that signature stayed visible and unobscured. Then you open the book up and the artist doesn't just get a credit—he gets a whole damn page! More books should treat their cover artists like this! As a collector, it absolutely sucks how hard-to-impossible it is to track down a simple artist credit when the book doesn't simply provide it. But here: hey, hey, hey, it's Gusssssss Albet!

Page 123~

    Without thinking, without awareness, she walked to the door, opened it, and then gasped in surprise to find Maxine Hensen standing there. 

"Somebody order an all-out lesbian?" Maxine chortled suggestively. Susan gasped, dropped to her knees, and threw her blue blouse over her head as the night exploded in a wild spree of desperate bisexual passions. Amen.

~RP

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